Showing posts with label genre. Show all posts
Showing posts with label genre. Show all posts

Wednesday, September 7, 2022

IWSG - Winds of Change

It's that time again.


The first Wednesday of each month is when we all gather our neuroses for the Insecure Writer's Support Group. The IWSG exists so we can share our insecurities and support each other. Created by Alex J. Cavanaugh, anyone can join. Simply click on his name and put your blog on the linky list. Then hop around and visit your fellow insecure writers.

The co-hosts this month are: 

Kim Lajevardi, Cathrina Constantine, Natalie Aguirre, Olga Godim, Michelle Wallace, and Louise - Fundy Blue. Be sure to stop by and give them a visit as thanks for co-hosting!

This month's optional question is: 

What genre would be the worst for you to tackle, and why?

I'm skipping this month's question. I feel like the bulk of the answers will be horror and romance, and honestly I'm not in the mood for more anti-horror stuff right now.

After a lot of thinking, I'm going to be making some changes to my writing career in the coming months. I don't completely know what that's going to look like yet, but I have an idea. A few ideas. Unfortunately, drama in the horror writing world has started tainting how I feel about horror, and I'm not okay with that. I'm not going to stop writing horror, and I have some long-term projects in the works, but my focus will be elsewhere for a while. There are other worlds to explore, basically, and it's time I branched out more.

Of course, change is scary. I've dipped my toe in elsewhere and had pretty good luck with it, so far. I'm thinking of writing under a pen name, maybe a couple, so I need to decide about that, as well, before I submit anything more in other genres, so I can keep some consistency. I'll definitely be paying attention to those of you who already publish heavily in multiple genres.

Anyway, wish me luck! I feel a bit like I'm flapping in the wind right now with a loose anchoring rope.

Note that the monthly post on open submissions will likely be delayed by a week, as I have a guest post next week.

Okay, time for a submission recap for the month. I post each month during the IWSG to keep myself accountable.

August Submissions:

12 submissions

0 acceptances

12 rejections (1 shortlisted, 1 invitation to direct email another submission right away, 8 personal rejections)

1 withdrawn story

20 submissions currently out

What's your writing insecurity? Have you ever made a drastic change to your writing career? How'd it go? Are you ready for fall?

May you find your Muse.


Wednesday, March 30, 2022

A Flower in My Hair - Reflections on Genre Bias

It's one of those weeks again, where there's been an attack on horror authors via social media, implying we're all psychopaths and terrible people. Happily, I've never had someone tell me to my face that they believe this about me, but on the wider spectrum it can be hurtful to hear this repeatedly.

Angry Eyes, by OCAL, clker.com

The good thing is, I can fall back on my communities, those of the blogging world and of the authors here in Colorado who I've gotten to know, and I can remind myself that there are plenty of people who know that being involved in the horror world doesn't make someone a bad person, just a creative person whose creativity has a dark bent sometimes. I also write humor, mystery, memoir, fantasy, and science fiction, and no one has judged me based on those things.

It makes me think of the abuse those in the romance genre also get. The insinuations and side-eyes they receive, because they MUST be smutty people, right? No, of course not. Or how about when a literary writer looks down at genre writers as writing junk or when the opposite happens and a genre writer dismisses a literary writer as being snooty?

We writers know that writing something doesn't mean we've done it, that we want to do it, or anything along those lines. I'm not even sure, though, if this current attack that blew up on Twitter came from a writer or a reader, but I've seen plenty of writers generalize those in other genres, and even in their own genres. After all, we do this all the time about ourselves. Stereotypes exist for a reason. Sometimes we amuse ourselves by playing around with stereotypes. For example, that guy at the bar who laughingly downs his fifth beer and says it's okay, because he's Irish. Or what about all the stereotypes surrounding something as basic and unchangeable (except with dye) as hair color? I bet if I asked you to list a bunch of hair color stereotypes you could bang them out, no problem. You may have even joked about your own hair color before. 

The Beer Snob, by OCAL, clker.com

As writers, I think we often employ stereotypes or generalities in our writing, especially in the beginning before we learn to outgrow those bottled characters, settings, or situations. In some ways, it's a necessity, as it's a comfort level for a reader to find familiarity, and one way to achieve that is through generalizing and using commonalities or things we've observed regularly. When there's a story about a group of people, chances are at least some of those characters will fall under some sort of stereotype, like the fiery, short woman or the "Karen" asking to see the manager. Part of writing is pulling the reader in as soon as possible, so if we sat back and looked at the ways we do that, we might find we're generalizing or stereotyping more than we even realized it.

However, I mourn for the days where I didn't hesitate before answering every time someone asked me what I wrote. Now I lob it like a softball and wait for a reaction before I say anything else about it. The two responses I'm most likely to get are either "Oh, I love horror! What have you published?" or "Oh, I don't read that stuff." Sometimes I get a really puzzled or semi-disgusted look and a, "But you're so pretty," as if somehow not looking like a hideous beast means I can't possibly be a horror author. That one cracks me up, and I can usually spin it into something positive.

Hey, to each their own. I don't hold it against anyone if they don't read horror. I admit that sometimes I get tired of hearing it, especially when it's thrown out like a shield or as if they feel they have to state it lest they be judged as a horrible person. I don't respond to someone who writes a genre I don't read with, "Oh, I don't read that," even if I don't or it's rare that I do. I don't hate any genre that I can think of. And I certainly don't think ill of anyone writing any particular genre. I prefer to continue asking them questions about their stories and their love of their preferred genre, so I'm supporting them instead of making them feel defensive or shutting them down. After all, we're all spinning tales and creating worlds and situations, which means there's always something worthwhile to talk about. Even someone writing memoir or other nonfiction is actively creating, whittling down the many details that surround real life, then weaving the remaining threads into a story people want to read.

Things were more fun when I didn't fear people's reactions to me doing something I love. When I didn't have to wait out whether that person might end the conversation with me or get that look of disgust before they realized it and brought it under control. When they didn't eyeball me as if looking for a knife hidden behind my back or horns peeping out from beneath my hair. I'm well aware that I shouldn't care what others think of me. I'm a middle-aged woman, after all, and no matter what I've done as a serial people pleaser, I'm certain I've left behind plenty of people who simply didn't like me.

But those who do like horror, and those who simply respect that it's something I enjoy, and that it doesn't make me a bad person, make it worth it. Because ultimately writers DO support writers. There are bad eggs, but they're greatly outnumbered, and I truly believe that most writers don't judge each other based on the genre they write, and are just intrigued as to the worlds their counterparts create. I know it's that way for me. I want to know about your stories. I want to know what inspires you. 

Photo with my "thank you" mug from Sisters in Crime after a recent workshop I did for them. Note the flower in my hair and the suit jacket.

So I put a flower in my hair to signal that I'm harmless, dress professionally at writing events so they know I'm a normal person, and throw out that softball to wait it out and see where the conversation will go afterward.

If you've ever had a knee jerk reaction about a genre someone writes, I'd love to challenge you to read a story in that genre and to go one step further: write a piece of flash fiction or a short story in that genre and see how you feel about it then.

Do you have a genre you have a knee jerk reaction to? Is it one you've experienced or is it one you've always avoided? Have you ever challenged yourself to try out a genre you weren't fully comfortable with? What happened with that?

May you find your Muse.

Monday, December 7, 2015

Experiments in Writing - Killer Critters!

I mentioned a story type I've been experimenting with this past Wednesday during the IWSG. The story is experimental in that I've long enjoyed the genre, but I've never written in it. It's a play on the goofy critter horror films, like Tremors and Lake Placid. The idea is fun. The opening scene amuses me. But I realized I'd gotten so focused on figuring out where the story was going that I wrote myself into a corner. I started limping along, struggling with where to go next. And something was missing. What?

So I started thinking about what I like about those movies. And it really boils down to the characters, doesn't it? Those movies are often enjoyable because of a combination of things, but the characters bring it home. Tremors wouldn't exist without Val and Earl. Nobody would have cared enough to stick it out. Though the rest of the characters are quirky, and add quite a bit to the story. Still, Val and Earl make it. And not just one or the other--it's the relationship between them that carries the film. 


Would anyone have stuck it out in Lake Placid without the quick, snarky dialogue between the four main characters? The shocking profanity from Betty White? At least, it was shocking when the movie came out. These days I think we all know she's spunky and not afraid to have fun, but back then she was just Rose (?) to me. Pretty sure I bark-laughed quite a few times during this one.


I've set my story up with two characters that share some snappy dialogue in the beginning, but then I lost that relationship. I buried it while I was trying to get to the next place in the story. Now that I've figured this out, I think I can get somewhere, but it means going back to the second scene in the story and writing fresh from the point where all hell breaks loose. 

In addition, I want to inject more unexpected humor into it. That's something else that's enjoyable in both Tremors and Lake Placid: unexpected humor. Often, inappropriate humor, where the horrific is mixed with something ridiculous. I've put a few details in that are a kick, but I need more. More! Despite the fact that I'm a major smartass in real life, I don't often write that way. Weird, right?

One problem I'm running into is that I haven't actually read any stories like this (specifically, goofy critter horror). I'm taking something I've only experienced in a visual medium, and trying to convert it to a short story. Which is not a horrible roadblock, but I suspect it's at least a sawhorse taking part in the roadblock. An orange cone of doom?

For those of you who enjoy this sort of film, what elements do you think you enjoy the most? Is it the characters? The humor? The pure absurdity? Or something else entirely? What do you seek out when you view one of these? What missing element makes you sad? Have you experimented with your writing lately? How'd it go?

May you find your Muse.