Showing posts with label genre writing. Show all posts
Showing posts with label genre writing. Show all posts

Wednesday, March 30, 2022

A Flower in My Hair - Reflections on Genre Bias

It's one of those weeks again, where there's been an attack on horror authors via social media, implying we're all psychopaths and terrible people. Happily, I've never had someone tell me to my face that they believe this about me, but on the wider spectrum it can be hurtful to hear this repeatedly.

Angry Eyes, by OCAL, clker.com

The good thing is, I can fall back on my communities, those of the blogging world and of the authors here in Colorado who I've gotten to know, and I can remind myself that there are plenty of people who know that being involved in the horror world doesn't make someone a bad person, just a creative person whose creativity has a dark bent sometimes. I also write humor, mystery, memoir, fantasy, and science fiction, and no one has judged me based on those things.

It makes me think of the abuse those in the romance genre also get. The insinuations and side-eyes they receive, because they MUST be smutty people, right? No, of course not. Or how about when a literary writer looks down at genre writers as writing junk or when the opposite happens and a genre writer dismisses a literary writer as being snooty?

We writers know that writing something doesn't mean we've done it, that we want to do it, or anything along those lines. I'm not even sure, though, if this current attack that blew up on Twitter came from a writer or a reader, but I've seen plenty of writers generalize those in other genres, and even in their own genres. After all, we do this all the time about ourselves. Stereotypes exist for a reason. Sometimes we amuse ourselves by playing around with stereotypes. For example, that guy at the bar who laughingly downs his fifth beer and says it's okay, because he's Irish. Or what about all the stereotypes surrounding something as basic and unchangeable (except with dye) as hair color? I bet if I asked you to list a bunch of hair color stereotypes you could bang them out, no problem. You may have even joked about your own hair color before. 

The Beer Snob, by OCAL, clker.com

As writers, I think we often employ stereotypes or generalities in our writing, especially in the beginning before we learn to outgrow those bottled characters, settings, or situations. In some ways, it's a necessity, as it's a comfort level for a reader to find familiarity, and one way to achieve that is through generalizing and using commonalities or things we've observed regularly. When there's a story about a group of people, chances are at least some of those characters will fall under some sort of stereotype, like the fiery, short woman or the "Karen" asking to see the manager. Part of writing is pulling the reader in as soon as possible, so if we sat back and looked at the ways we do that, we might find we're generalizing or stereotyping more than we even realized it.

However, I mourn for the days where I didn't hesitate before answering every time someone asked me what I wrote. Now I lob it like a softball and wait for a reaction before I say anything else about it. The two responses I'm most likely to get are either "Oh, I love horror! What have you published?" or "Oh, I don't read that stuff." Sometimes I get a really puzzled or semi-disgusted look and a, "But you're so pretty," as if somehow not looking like a hideous beast means I can't possibly be a horror author. That one cracks me up, and I can usually spin it into something positive.

Hey, to each their own. I don't hold it against anyone if they don't read horror. I admit that sometimes I get tired of hearing it, especially when it's thrown out like a shield or as if they feel they have to state it lest they be judged as a horrible person. I don't respond to someone who writes a genre I don't read with, "Oh, I don't read that," even if I don't or it's rare that I do. I don't hate any genre that I can think of. And I certainly don't think ill of anyone writing any particular genre. I prefer to continue asking them questions about their stories and their love of their preferred genre, so I'm supporting them instead of making them feel defensive or shutting them down. After all, we're all spinning tales and creating worlds and situations, which means there's always something worthwhile to talk about. Even someone writing memoir or other nonfiction is actively creating, whittling down the many details that surround real life, then weaving the remaining threads into a story people want to read.

Things were more fun when I didn't fear people's reactions to me doing something I love. When I didn't have to wait out whether that person might end the conversation with me or get that look of disgust before they realized it and brought it under control. When they didn't eyeball me as if looking for a knife hidden behind my back or horns peeping out from beneath my hair. I'm well aware that I shouldn't care what others think of me. I'm a middle-aged woman, after all, and no matter what I've done as a serial people pleaser, I'm certain I've left behind plenty of people who simply didn't like me.

But those who do like horror, and those who simply respect that it's something I enjoy, and that it doesn't make me a bad person, make it worth it. Because ultimately writers DO support writers. There are bad eggs, but they're greatly outnumbered, and I truly believe that most writers don't judge each other based on the genre they write, and are just intrigued as to the worlds their counterparts create. I know it's that way for me. I want to know about your stories. I want to know what inspires you. 

Photo with my "thank you" mug from Sisters in Crime after a recent workshop I did for them. Note the flower in my hair and the suit jacket.

So I put a flower in my hair to signal that I'm harmless, dress professionally at writing events so they know I'm a normal person, and throw out that softball to wait it out and see where the conversation will go afterward.

If you've ever had a knee jerk reaction about a genre someone writes, I'd love to challenge you to read a story in that genre and to go one step further: write a piece of flash fiction or a short story in that genre and see how you feel about it then.

Do you have a genre you have a knee jerk reaction to? Is it one you've experienced or is it one you've always avoided? Have you ever challenged yourself to try out a genre you weren't fully comfortable with? What happened with that?

May you find your Muse.

Monday, June 13, 2016

The Factions of Writing

Before we jump into today's post, if you're going to be at Denver Comic Con, please look up my schedule on my Appearances tab and come say hi this weekend. I'll be talking monsters, fairy tales, and short stories, as well as signing books.

***

When I became a mom, I discovered there were factions. Working moms vs. stay-at-home moms. Breast feeding moms vs. formula. Disposable diapering moms vs. cloth. Vaxers vs. non-vaxers. I'd just thought when you were a mom you were part of the Mom Club, and that you minded your own business, and all was well.

I was mistaken.



This was my first big introduction to the fact that cliques form in high school because humans need to feel like a part of a group in order to figure out their own identities, and that this continues long into adulthood. It may take a different form than the infamous high school clique, but it's really all the same thing. Feeling like a part of a group apparently means you have to feel like you are somehow better than another group. We see this in religion and politics all the time, but it certainly doesn't stop there.

When I became part of the writing world, I found it there, too. I'd been writing for a long time, but I was not part of the Writing World before. I once again found myself embroiled in factions. Indie vs. traditional publishing. Genre vs. genre. Oxford comma vs. skipping the Oxford comma. Short stories vs. flash fiction vs. novels vs. poems. I discovered some groups look down on other groups. Horror is often seen as less than the rest of speculative fiction, and there are those that say the writers of horror must be terrible people, lacking in empathy and remorse. Romance writers are treated as if they're unintelligent or lack writing ability. Poets and other types of authors glare at each other over a wide divide.



Writers of certain genres are often stereotyped in these ways, and it isn't limited to romance and horror. Is it true you can sometimes tell what a person writes before they tell you? Yes, this does happen. And it's not a bad thing, but when it reaches the next level, it takes a dark turn.

Why do we do this? Looking at the reason for the formation of cliques, people need to feel accepted. I don't think anyone sets out to be part of a clique. They identify with a group of people, gravitate toward that group, and subconsciously work to prove they deserve to be there. Sadly, this can take the form of putting down other groups. Then you get your factions. It happens in prison. It happens in the business world. It's everywhere.



Of course genre writers are going to be pulled toward each other. If you write romance, you're going to enjoy talking to other romance writers, because you can compare notes, bat around ideas, relish the intricacies you're intimately familiar with. Mystery writers can discuss the best places and ways to hide bodies and plant clues. Historical writers can point out the best places for research. There is support, comfort, and safety in being around like minded people. Moving toward those you identify with doesn't make you a bad person.

But putting down other people to raise your status does.

I see this way too often. College educated folks putting down those who did not go to college. Moms putting down other moms. Traditional and Indie published authors at each others' throats. Genre vs. genre vs. literary vs. poet.



It's seemed amplified to me lately, and I don't know if that's because tensions are so high in the States with such a contentious presidential election going on or if it's symptomatic of a growing sense of helplessness, but I wish everyone could remember that, no matter your faction, we're all people. No one's better than anyone else. No method of doing something is better than any other. If we all did everything the same way and liked the same things, life would be incredibly dull.

Instead of putting someone else down, talk to them and find out why they enjoy the things they do, why they do things a certain way. Understand a different viewpoint. Settle your empathy in place and learn about other people. All it can do is enrich your own experience.

To be clear, I'm not just talking about writers here. Humans are given empathy for a reason. We're given the ability to use logic and reasoning, and we should use it. You can maintain your status and your own individual personality without ripping someone else apart to do it. That, at least, should be where adults grow out of their high school ignorance without losing the person they created and got to know during that time.



Edited to add a note: This post was written before the shooting this weekend. There was also an issue of a racist comment one author left on another author's Facebook yesterday, which has blown up. While I did not write this post about homophobia and racism, it certainly applies. I wish we could spend less time splitting ourselves into groups, and more time working together and caring about each other.


Now for links. Bear in mind that I'm not endorsing any of these, merely passing them along. Always do your own due diligence before submitting to a market or contest.

Accepting Submissions:

Outlook Springs is seeking fiction, nonfiction, and poetry "tinged with the strange." Pays between $10 and $25, depending upon submission type. Deadline July 15.

Helios Quarterly Magazine is seeking fiction, poetry, nonfiction, and art. Current theme "Miscommunication." Pay varies by type of submission. Deadline June 30.

Bad Apple Zine is seeking YA fiction with a taste of the fantastical. They want at least one story per issue written by someone between ages 16 and 21. Pays £15.

Contests:

Winter Tangerine Review is holding the Winter Tangerine Awards. Only those who have not published a collection or novel may enter. $250 cash prize, plus publication. No entry fee. Deadline July 1.

FutureScapes Writing Contest asks you to envision a certain world and write about it. Up to 8000 words. Cash prizes, $2000 for first; publication. No entry fee. Deadline July 15.

What factions have you noticed as an adult? What cliques did you discover hovering around that you hadn't been aware of before? Have you inadvertently found yourself as part of a clique? What did you do about it? Are any of these links of interest to you? Anything to share?

May you find your Muse.

*Cat Fight Silhouette, by OCAL, clker.com
*Cartoon Ninjas, by Kelly, clker.com
*Closed Fist, by OCAL, clker.com
*Boxing Bears, by OCAL, clker.com
*Fighting Cat Bandaged, by Ruth, clker.com