MHC and Marketing

I attended the annual Mile Hi Con up in Denver this weekend. This was my third year attending. It didn't seem as busy to me as it usually is, which was pleasant, though probably not for folks trying to sell books, artwork, and other products. I didn't run into many of the interesting characters I've run into in the past, which was odd, but there were still plenty of costumed folks.

This year I focused more on fun than on the learning aspect. Yes, I still attended panels, but not as many as I have in the past. One I attended was on the future of the publishing industry, but all four panelists basically agreed on what was going to happen (traditional publishing won't die, but it will be diminished, and e-books are The Thing for the future.) A panel who all agree is dull. There was a side conversation that began that raised interesting questions, though, and that was how to find ways to assure readers a self-published book is quality. Reviews on Amazon and Goodreads have been bought in the past, and the argument we've all heard about self-publishing is that the original gatekeepers in the form of agents and editors are lacking when someone self-publishes, and sadly, the bad creeps through with the good. So how do we reassure the reader that this book they're considering buying is good, outside of reviews that might not be trustworthy? Will there be a professional organization set up to do this? To provide a guarantee that there was a thorough editing job?

Another panel was on world building. It was helpful to hear the approaches different authors take to it. Do you build your world first? Is the story contingent on your world, the world contingent on your story, or a combination of both?

There were several panels I was disappointed with or bored by (or both,) so I won't mention those here. Then there were several I liked that weren't intended as learning ones to begin with, such as my friend Patrick's podcast and a Meet the Toastmaster one, where her critique group presented with her. There was some good discussion of critique groups, and it was good to see one where the members have all found some manner of success (some of them quite a bit.) Our critique group has really just begun, and we all aspire to be in the same situation as this critique group.

All in all, I had a great time with friends, including two I shared a room with this time. I finally got to see the midnight showing of Rocky Horror Picture Show. I've seen the movie multiple times, but never with a bunch of a people. Plus, we got to introduce two people to the movie for the first time, which is always fun.

Question mark by Mohamed
Ibrahim, shared by Gayane

Since Mile Hi Con is all about panels, I figured I'd ask a question of you guys related to a panel I've set up for the November Write Brain this month (a free monthly workshop put on by Pikes Peak Writers.) It will be a panel on marketing, author platform, and book launches. I'd like to have questions prepared in case the audience doesn't ask enough. What questions do you have on marketing, platform, and book launches? If I end up asking one of your questions, I'll post the answer here for you, as well (or, if we record it, I will post a link once it's ready to go, so you can see the panel.)

The panel is November 18, so if you think of questions before then, post them in the comments and I'll keep track.

Have you seen Rocky Horror with a group of people? Have you seen it at all? Love it or hate it? What questions do you have about marketing, launches, and platform? How do you feel about "quality checks" being put in place for self-published books? How do you do world building?

May you find your Muse.

Really Wordy Wednesday & Links

Instead of posting a picture and hardly any words (not including the links, of course), I figured I'd share a panel from the Pikes Peak Writers Conference. Patrick Hester moderated it and it was recorded as a podcast, which is available on the SF Signal Podcast. It's a panel on diversity in writing, with panelists Chuck Wendig, Jim C. Hines, Carol Berg, and Amy Boggs. It's an hour long and interesting listening.

CLICK HERE to go to SF Signal. If it's no longer the primary one listed, it's episode 247, PPWC 2014.

Now for some links! As always, please bear in mind that I am not personally vetting these links, merely passing along items of interest. Always do your due diligence before submitting to a market or contest.

Accepting Submissions:

Vine Leaves Literary Journal is currently in their open submission period for their July issue. Closes May 31. They accept prose, poetry, artwork, and photography. Pays $5 per accepted piece.

Arc Poetry Magazine accepts poetry  through May 31. Pays $40 per page.

Glimmer Train is in their non-fee reading period in the standard category and short story award category (contest). They pay well--$700 for the standard category, and $1500 for first prize in the short fiction category. Deadline May 31.

Monkey Star Press is accepting submissions for two anthologies: Mom for the Holidays (May 31st deadline) and Adventures in Potty Training (June 30th deadline). 700-1200 words. $125 per 1000 word essay.

Ephiroll Productions is putting together an anthology based on a specific plague. Pay is $20 per story or $10 plus 2% royalties. Deadline June 1. 2000+ words.

Angelic Knight Press and Lincoln Crisler (editor) are looking for short stories about rituals. 3000-5000 words. Deadline June 1. Pays in royalties.

Bizarro Pulp Press is open for submissions to their anthology, Surreal Worlds, through June 1. Pay varies per words submitted ($0 to $50, plus contributor copy).

Contests:

Wax Poetry and Art Magazine is holding a contest for residents of Canada only. Deadline May 18. No more than 250 words. Free to enter. 1st Prize is $25.

Southeast Missouri State University Press is holding a contest for Proud to Be: Writing by American Warriors. Open to military personnel, veterans, and their families. No entry fee. $250 1st prize in five categories.

Of Interest:

Page Lambert is leading one of her three annual writing adventures to Peru. This one is for women only (not all of them are, but this is). October 3-14. Initial registration and deposit needs to be in by June 1 (I think). See the website for details.

What did you think of the podcast? Do you feel we need more diversity? Any examples of authors who have embraced diversity in their writing? Any of these links of interest to you? Anything to share?

May you find your Muse.