On these walks, interesting things sometimes happen. They can be the impetus for a story, because the little things one sees can be translated in multiple ways. For example, the other night there was a car parked, running, outside a house at nearly midnight. There was a window A/C running in that house, so I didn't realize the car was on until I was right on top of it. The passenger window was open, and a teenage girl was sitting in the driver's seat, giant doe eyes staring at me as I walked by. I started wondering what she was doing there. Waiting for a friend who was sneaking out? Waiting for a friend to gather her things and leave an abusive situation? Perhaps she was supposed to be watching the house while the owners were on a trip, and was freaked out at the late hour. Maybe it was completely above board, and her car-mate just had to run inside really quickly. Or perhaps her mom was in labor, and she'd been told to start the car and pull it around while her parents gathered necessary items.
It could have been a billion different things, but letting the mind wander on something like this is a great exercise in writing. Even better if you go home afterward and write a story after choosing one of your theories.
The next night, I went for a walk earlier. Probably closer to 10. On this walk, I came upon a darkened house, the garage door wide open, two cars parked inside. This happens more than you might think. I always make an attempt to knock on the door to get someone's attention to let them know. The problem with this house was that it was in a cul-de-sac on a mostly moonless night, and none of the houses in the cul-de-sac had any exterior lighting on. It was pitch black, trees swaying in the wind, so I couldn't hear anything beyond the rustling. They did have two exterior lights that were on, but they were flickering and only barely giving off a dirty glow. I'm always a little jumpy approaching a front door like this at night, because the possibility exists that someone armed may come to the door or that something nefarious has already occurred inside, and that's why the door's open. This particular house had an inset door, so I had to walk around, past a tree and a giant shrubbery, into the alcove that held the door.
Ultimately, no one came to the door, no interior lights turned on, so I continued on my walk. As I stepped off the porch, lights flickering to either side of me, a rabbit burst out of the shrub at my side and startled me. Heart pounding, I kept going. I had just rounded the corner out of the cul-de-sac when I heard voices. I paused to figure out where they were coming from, and there were two men exiting a house together. They headed to a locksmith's van parked on the street. One was telling the other, "Yeah, she called and said she needed the lock popped out tonight. No idea why."
Both of these last two items could inspire a story. One might be an obvious tale of horror (the flickering lights, exposed dark house, home invasions, robberies, all manner of awful things), while the other could go in any possible direction really. Who needs a locksmith to pop a lock out at 10 PM? One could easily run with it, writing mystery, suspense, literary, women's fiction, horror, you name it. It's all fodder.
Speaking of mystery and suspense, if you're ever writing something about a burglar, robber, or other criminal who might break into homes, go for a night walk. I'd recommend after 11 PM, when most people are sleeping (disclaimer: only do so if it's safe in your area, and be sure you take whatever necessary measures to be safe and/or take a friend.)
You see, I realized the other night that I'd inadvertently cased the neighborhood. By now, I know who leaves a main level window open, who leaves the garage door open a smidge for a cat (often more than a smidge--if a toddler can walk under the door without ducking, anyone can get into your garage). I know who has a window A/C unit that's so loud they wouldn't hear someone breaking a window or picking a lock. It's obvious who has kids, and sometimes even where their bedrooms are, because of a pink nightlight or stickers on the window (which made me evaluate what my kids' windows look like to someone standing on the street). I know where the darkest areas are, because several neighbors in a specific spot don't put on exterior lights. And all of this data is in my head, not because I intended to put it there, but because I mark places where, for instance, someone might hear a call for help. I pay attention to who's awake and who has a bedroom window open for the same reason. Obviously, I pay attention to where it's darkest, so I can avoid it or at least be aware of it.
There's even a house I will cross the street to avoid, because they have a huge delivery-type truck with no business information on it parked on the street, and in their driveway is a big van with the old logos painted over and no windows. Of course it's all probably harmless, and they've started their own business, but it's been years, and there's no logo on the big truck still. So when I'm letting my mind wander, there are many reasons a person might have big vehicles with no windows or identifying marks.
I also know where several police officers live, so I'd know to avoid those houses if I were a criminal. And probably the ones within their view and hearing. (Of course, not being a criminal, those are the houses I'd make a point of going to if there were a problem.)
In this particular neighborhood, the wildlife is the biggest concern on night walks, as we have several larger predators that hang around, including mountain lions. I always used to hear coyotes at night, yipping and yelping away while they cornered a deer or other prey animal. (I haven't heard any this year, so far, and I'm afraid it's because of mange, which was going around.) Would one take similar precautions if it wasn't regular wildlife they were trying to avoid? What about monsters? Zombies, vampires, cryptozoological beasties?
No matter when you take a walk, there's always a chance you'll happen across random inspiration for stories based on the things you see. I tend to get story breakthroughs while on walks, and frequently I get home with at least one idea for a new story. There's something about moving your feet and freeing your mind that gets it brewing. So if you're stuck or looking for inspiration, try a walk or a hike and see if it works for you. But be sure to take note of even the mundane, as it might factor into new ideas or background details for stories you're already writing.
Now for some links. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting to a market.
Accepting Submissions:
Outlook Spring is seeking poetry, fiction, and non-fiction tinged with the strange. Up to 7500 words. Pays $10 to $25. Deadline July 15.
Helios Quarterly is seeking fiction, poetry, nonfiction, and art for their September issue. Current theme First Contact & Conversions. Up to 1500 words (unless a serial story). Pays up to $.03/word. Deadline July 15.
Third Flatiron is seeking slipstream short fiction for the anthology Strange Beasties. 1500 to 3000 words. Pays $.06/word. Deadline July 15.
Franklin/Kerr is seeking post-apocalyptic and dystopian horror. 2000 to 8000 words. Pays $5 per 1000 words, plus royalties. Deadline July 21.
Splickety Havok is seeking holiday mashups for their October edition: Holiday Cauldron. 300 to 1000 words. Pays $.02/word. Deadline July 28.
Aliterate is seeking literary genre fiction. 2500 to 8000 words. Pays $.06/word. Deadline July 28.
Do you like to go for walks? Do you find them inspiring? Seen anything strange on a walk lately? Any of these links of interest? Anything to share?
May you find your Muse.
*Pedestrian, by AA, clker.com
*Haunted House, by Chrizz4, clker.com
*Burglar, by OCAL, clker.com
*Small truck USPS postal service, by OCAL, clker.com
