Wednesday, July 13, 2022

July Submission Roundup

It's time for the monthly submission roundup! Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Augur is seeking speculative fiction for their regular magazine (Augur) and cozy SF/F stories for Tales & Feathers. They mostly take Canadian/First Nations. Up to 5000 words. Pays $.11/word. Deadline July 31.

Pikes Peak Writers is seeking short stories and poetry that takes the reader to a new world. Up to 6000 words. Pays in royalties. Deadline July 31.

Superlative is seeking short fiction with the theme "Futures." Up to 1500 words. Pays 10 pounds. Deadline July 31.

Perpetual Motion Machine Publishing/Ghoulish Books is seeking body horror stories written by transgender and nonbinary authors for Bound in Flesh. 3000 to 5000 words. Pays $.05/word. Deadline July 31. (Note that I have worked with this press before with their magazine Dark Moon Digest, and they are always a pleasure to work with.)

Black Beacon Books is seeking post-apocalyptic short stories for Tales from the Ruins. 5000 to 10,000 words. Paying market. Deadline July 31. 

Metaphorosis is seeking SF/F short stories about an interesting museum. 1000 to 8000 words. Pays $.01/word. Deadline July 31.

Three Ravens Publishing is seeking high fantasy short stories for Embers of Corsari, a shared world anthology and horror comedy short stories for It Came from the Trailer Park II. 7000 to 10,000 words. Pays in royalties. Deadline August 1.

Lethe Press is seeking dark speculative short stories about "gay sexuality, desire, masculinity, and the aesthetics of rough trade" for Brute. 2500 to 10,000 words. Pays $.05/word. Deadline August 1.

The First Line is seeking fiction, poetry, and critical essays with the first line "Lily unlocked the back door of the thrift store using a key that didn't belong to her." 300 to 5000 words. Pays up to $50.00 depending upon submission type/length. Deadline August 1.

The Last Girls Club Magazine is seeking feminist horror with the theme "Thoughts & Prayers." Up to 2500 words. They also accept poetry and flash fiction. Pays $.01/word. Deadline August 1.

Rayne Hall is seeking horror stories dealing with trains for The Haunted Train. No length restriction. Pay is flat fee of 10 Euro. Deadline August 15.

Ghost Orchid Press is seeking erotic horror fairy tales for Les Petite Morts. 1000 to 5000 words. Pays $.06/word. Deadline August 30.

Dragon Soul Press is seeking contemporary women's fiction for Life at Its Best and Christmas stories for Magick & Mistletoe. Up to 15,000 words. Pays in royalties. Deadline August 31. 

Gwyllion is seeking pulp/low-brow speculative fiction. Up to 10,000 words. Pays 10 pounds. Deadline August 31.

Eerie River Publishing is seeking dark short stories for It Calls from Beneath. 2000 to 7000 words. Pays $.01/word. Deadline September 1 (does not open for submissions until August 1). They are also taking water themed horror for their elements series. 1500 to 7000 words. Same pay. Deadline August 31.

Timber Ghost Press is seeking horror stories set in the Old West for Along Harrowed Trails. Poetry, flash, and short. Up to 6000 words. Pays up to $35. Deadline August 31.

Apparition Literary Magazine is seeking speculative fiction poetry and short stories with the theme "nostalgia." 1000 to 5000 words. Pays $.05/word. Deadline August 31 (not open for submissions until August 15.) 

War & Whiskey Publishing is seeking horror SF set on another planet for Strange Sunsets. 2500 to 7500 words. Pays $30. Deadline August 31.

Hellbound Books is seeking horror short stories paying homage to Poe for Madame Gray's Poe-Pourri of Terror and space SF horror for Hellbound Sci-Fi. 3000 to 8000 words for Poe and 4000 to 10,000 words for Hellbound. Pays $5. Deadline September 1. (I've been published with this market and had a good experience, but please note that they don't always send out rejections, as far as I know.)

Head Shot is seeking noir short stories for Bang! 2000 to 8000 words. Pays 10 pounds. Deadline September 1.

Orion's Belt is seeking SF stories. Up to 1200 words. Pays $.08.word. Deadline September 1.

Taco Bell Quarterly is seeking literary fiction, poetry, and more that involves Taco Bell in some way. 500 to 1500 words. Pays $100 per piece. Deadline September 5.

Any of these of interest? Any open calls to share? Are you submitting?

May you find your Muse.

Wednesday, July 6, 2022

IWSG - Writing and Mental Health

It's time for the July edition of the Insecure Writer's Support Group!


Created by Alex J. Cavanaugh, the IWSG is a space for writers to voice their insecurities and get support from their fellow writers. Anyone can join. Simply click on Alex's name and sign up on the link list.

The co-hosts this month are J Lenni Dorner, Janet Alcorn, PJ Colando, Jenni Enzor, and Diane Burton. While you're bopping around to visit fellow IWSGers, be sure to say hi to the co-hosts and Alex!

The optional question this month is: If you could live in any book world, which one would you choose?

I kind of wish I was in Oz right now. At least there evil people can be dealt with fairly. In Oz, there are evil beings, but everyone knows who they are. That last part seems to make a difference. Also, there didn't really seem to be disease there. Then again, it's been a long time since I actually read the books, so it could be I didn't remember those things.

Things weren't all rainbows and sprinkles in Oz. I do remember that. But it was still a place to escape as a kid. Return to Oz isn't anywhere near as popular as The Wizard of Oz, but I always loved it. It spoke to that part of me who is healed by seeing the darkness be overcome. In the beginning, Dorothy is in a...we'll call it a mental health facility. I seem to recall some electroshock, perhaps? While evil witches trying to kill little girls and their dogs is freaky, as are flying monkeys, and, most of all, being far from home with no idea how to get back, the beginning part of Return to Oz (and much that followed) always stuck with me. The princess (?) who could change heads, the wheelers, and people being turned into ornaments and decorations if they didn't play a game right.

I don't remember exactly why the beginning got to me so much. Perhaps because this time Dorothy's family had purposely sent her away. They hadn't believed her, had thought she was sick, and they'd sent her away. Why wouldn't that disturb a child?

This springboards into what I'd thought about posting today. I've never kept it a secret that I deal with depression, anxiety, and PTSD. Unfortunately, I've had a series of personal life issues that have retriggered the PTSD, so I've been struggling with that. National events have likely compounded it, as what I think set it off was a sense of helplessness. I don't handle being helpless well. I'm a person who prefers to take things into my own hands and fix them. I'm good at fixing things, but some things cannot be fixed.

What does this have to do with writing? I've seen a lot of friends in the writing world suffering from mental health issues lately. The world is a rough place to be right now. If not all, then many of us are suffering from the drastic life changes that came about from a worldwide pandemic. Our lives changed in myriad ways during this, whatever the reasons, and as humans, that requires coping mechanisms. It also often means that there will be ripples, even if we don't know where those ripples originated or how far out they'll go. 

Often, impactful situations can hurt our creativity. Even if it doesn't touch our creativity, it may hurt our mental and emotional energy. It turns out we need both of those things to write. I know that I struggle to write when things are hard. While a handful of people were posting about all they were getting done during the last two years, many more were posting that they couldn't write, that the words weren't coming, that they couldn't get themselves to focus on work.

I think, in general, things had started feeling lighter, better, different, and that it maybe lulled us into a false sense of security in terms of looking after ourselves. So now when we're suffering, it may take longer to realize that it's happening in the first place, let alone what personal reasons there are for it. As a result, we might try to push ourselves through it instead of taking the time to stop and care for ourselves and cope. We might get frustrated and angry that we're not doing more, meeting writing goals, buckling down, being as productive as we think we should be.

It took me a couple weeks at least to realize the PTSD was active and that's why I was struggling so much. It's not like you can take a test that magically shows something like that. After all, I spent decades suffering it and not knowing what it was. However, I also know that I tend to self-analyze so much that sometimes I can see things like this in myself faster than others might, so it felt important to send out a gentle reminder that...things aren't okay. Not for a lot of people. Don't be hard on yourself if you're not perfect right now. (Or ever, really, because many of us are always hard on ourselves). Figure out what works for you to cope with depression, anxiety, or whatever you may personally suffer from, and take the time to do those things. I know that may feel like ONE.MORE.THING you have to do. Believe me, I know. All I can say is that you're doing your best, and if you can find it in yourself to do one thing for yourself that will help, that one thing might add up and get you through it.

Take care of yourself first. The writing and creativity will follow.

Switching gears, it's time to report my submission stats for June. I do this each IWSG to keep myself accountable.

June:

0 new submissions

7 rejections (5 personal)

0 acceptances

24 stories currently on submission

So how are you doing? What are your insecurities? Are you submitting? Are you taking care of yourself?

May you find your Muse.



Wednesday, June 29, 2022

Media Roundup, New Release, & YouTube TV

Well, between the issues I was having with Blogger and some personal life things, I didn't end up posting the last two weeks, which I find a bit frustrating since I was back in the rhythm of posting consistently and visiting blogs. Oddly, Blogger seems to have fixed itself after I threw my hands up and ignored it for two weeks. I guess we'll see. But it's keeping me signed in again, which it wasn't doing for a while, and it appears to be keeping me signed in when I visit others. Yay? I'll celebrate when it stays consistent. ~gives Blogger the hairy eyeball~


I had some news to share during my unintentional hiatus! My mystery short story "The Class Ring" came out in the Unsettling Reads anthology Summer Bludgeon! It's a nice, thick book with stories from some awesome people, and it's mystery, so those of you who don't like horror would enjoy this one!


Summer Bludgeon is available from Amazon.

I was also featured on Between the Covers, a sort of talk show for authors produced by Red Penguin Books. My fellow guests were Susan Cole and Amy Bernstein, and our host was Stephanie Larkin.


I was also a showcase author at Mountain of Authors, a program put on by my local library district (Pikes Peak Library District). The keynote was Craig Johnson. He's always a great presence, very laid back, but also personable, and he tells a great story. This was the first writing event I ever intended when I decided to start really doing it, and I have a special fondness for it. It was nice to have this bit of normalcy return after being canceled for the last two years.


I was also supposed to be part of a group book launch for those of us who had released books during the pandemic shutdown, but...I got COVID. Ironic, eh? I made it through two big writing conferences without getting sick, even after people I hung around tested positive, but it took my son coming home at the end of the school year with it for it to spread through our house. Oddly, it was a bit of a relief to finally get something we'd been avoiding for two years. Though now I've heard that the latest versions of Omicron don't actually give you immunity when you get them, so I'm feeling pretty disgruntled about that. I'm just glad we didn't get sick until things had calmed down. We also managed to keep my daughter from getting it, though the rest of us did, which was a relief, as she's prone to pneumonia, and I was really worried about what COVID might do to her. I'm grateful we seem to have weathered it okay, though my husband has a bad, lingering cough. 



Okay, media roundup time! These are some of the standouts of my media intake for the last month or so.

Books

The Sanitorium, by Sarah Pearse


An old sanitorium has been converted into a fancy hotel, but after it opens people start disappearing, with at least one body turning up. A massive snowstorm traps the staff and a couple guests in the hotel after an avalanche takes out the road. Trapped with a killer, an inspector on a dramatic break from her job must figure out who the killer is and what they want before they kill her or someone close to her. Great sense of desolate isolation. There are many secrets slowly revealed over the course of the book. Solid suspense.

The Between, by Tananarive Due


After witnessing his grandmother die then come back to life in his childhood, a man starts having weird dreams and reality seems to shift around him. As he fights for his sanity, and possibly his life, he must also deal with the man stalking his judge wife, who seems to want to destroy the entire family. Great tension that leaves you guessing whether he's crazy or if his world is really shifting the way it seems to be. I thought there were too many dream sequences (not my favorite), but it wasn't enough to deter me from reading the book and overall enjoying it.

Movies

The Man From Toronto - Netflix


Woody Harrelson and Kevin Hart. How could it be bad? It isn't! I enjoyed this quite a bit. Kevin Hart is a man in the wrong place at the wrong time. Now the bad guys think he's the go-to guy to torture information out of suspects. But he's not the Man from Toronto, Woody Harrelson is, and Woody's now got Hart's character on his radar. It's goofy, and there's a hysterical scene that I can't describe because I feel I'd give something away, but it's definitely worth a viewing when you need a laugh.

TV

Snowflake Mountain - Netflix


Okay, so it's "reality" television, but there's something satisfying about seeing some of the most entitled, bratty, twenty-somethings have to learn how to do things for themselves. There's one who seems beyond help, but the others appear to be trying. Good for mind numbing entertainment. These kids have been voluntold by their parents to go to a rugged camp with outhouses and tents. So far, they've had to find their food, dress a deer, learn to cut down trees, etc.

The Boys - Prime


The new season is running on Amazon. I've been looking forward to Jensen Ackles (Supernatural) joining the show, but it's been an odd introduction to him, so far. The boys are back together, but there's strife between them, and trust is hard to come by. They think they've found the ultimate weapon against their apparently unbeatable enemy, but the joke's on them. Plenty of intrigue and tension. There are always tons of things that go wrong, no matter how well they try to plan for it. And the surprises keep coming. It's dark and gritty, but they make sure you can figure out from the first episode of each season if it's the type of show for you or not.

What have you been watching? Any good books read lately? How are you doing on your reading goals for the year?

May you find your Muse.


*Image - Angry Eyes, clker.com, OCAL

*Image - Swoosh Blue MD, clker.com, OCAL

Wednesday, June 8, 2022

Visits & Submission Roundup

Okay y'all, I've had to download Mozilla Firefox to do it, but I think I can finally visit other blogs and comment on them (and respond to comments on my own blog)! As far as I can tell, unless others are having issues with blogger, too, my issues are stemming from adding work accounts and keeping my Google Drive access to them open. Which I've had to do before, without having these issues, but that was before I was using the newer Office setup that keeps me online.

Anyway, whatever the issue, I *think* I have things back to normal as long as I use a separate browser. Fingers crossed!

I ended up getting sicker after my IWSG post, and simply didn't have the energy to work on it until now.

Moving on! 

It's time for the June and July submission roundup. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Freeze Frame Fiction is seeking flash fiction. Up to 1000 words. Pays $10 per piece. Deadline June 30.

Brigid's Gate Press is seeking short stories, poetry, and drabbles in horror and dark fantasy for Dangerous Waters: Deadly Women of the Sea. 500 to 3500 words. Pays $.08/word for short stories, $50 per poem/drabble. Deadline June 30.

War & Whiskey Publishing is seeking science fiction taking place on other planets for Strange Sunrises: Tales From Distant Planets. All sub-genres, but they have a specific sci-fi horror call in the future, and would prefer horror be saved for that one. 2500 to 7500 words. Pays $30. Deadline June 30.

New Gothic Review is seeking short stories that re-imagine gothic literature for the 21st century. 1500 to 5000 words. Pays $65. Deadline June 30.

Strange Aeon is seeking cosmic horror short stories. 5000 to 10,000 words. Pays $20. Deadline June 30.

Dark Matter Magazine is seeking sci-fi horror for Monstrous Futures. Black Mirror-type stories. 2000 to 4000 words. Pays $.08/word. Deadline June 30.

Unsettling Reads is seeking fantasy, horror, and science fiction themed around winter/snow and that must feature a tree. Short stories and poems. 1500 to 5500 words. Pays $20. Deadline July 1.

The Cafe Irreal is seeking irreal stories (defined on their site). Up to 2000 words. Pays $.01/word. Deadline July 1.

Minola Review is seeking poetry, fiction, and nonfiction by those identifying as women or nonbinary. Up to 5000 words. Pays $175 per short story or creative nonfiction and $25 per poem. Deadline July 1.

Substantially Unlimited is seeking work by those who are disabled, especially focusing on invisible disabilities. Current theme is "stigma." 1 to 15 pages. Pays $15. Deadline July 1. 

Pillow Talking, a podcast, is seeking first-person narrative/creative nonfiction real-life bedroom conversations. 350 to 2000 words. July themes are "sanctuary" (July 2 deadline) and "I remember..." (July 16 deadline), but they take unthemed pieces at any time. Pays $25 AUD. 

Aurelio Leo is seeking fantasy short stories by authors of the African diaspora for Sovereign: An Anthology of Black Fantasy Fiction. Up to 39,999 words. Pays $.08/word up to 1000 words then $.01/word after. Deadline July 1.

Arelia Leo is also seeking urban fantasy dealing with elemental fire magic for From the Ashes. Same word count and pay as above, but in addition 10% of net proceeds will be donated to charities supporting burn victims. Deadline July 16.

Jaggery is seeking work by those of the South Asian diaspora. Art, essays, poetry, fiction. No specific word count. Pays $100 for fiction, $25 for all else. Deadline July 17.

Dragon Soul Press is seeking women's contemporary fiction for Life at its Best. 3000 to 15,000 words. Pays royalties. Deadline July 30.

Water Dragon Publishing is seeking speculative fiction exploring the impact of the pandemic for Corporate Catharsis: The Work from Home Edition. 2000 to 10,000 words. Pays $.02/word. Deadline July 30.

Brink Literary is seeking creative nonfiction, fiction, and poetry with the theme "reverence." No specific word count. Pay ranges from $25 to $100. Deadline July 30.

Hellbound Books is seeking splatterpunk for In Celebration of Splatterpunk. 4000 to 10,000 words. Pays $5. Deadline July 31.

Wolfsinger Publications is seeking science fiction of any sub-genre with your take on "ring of fire" for Ring of Fire. 1000 to 7000 words. Pays $15 plus royalties. Deadline July 31.

Zoetic Press is seeking poetry, short stories, and visual art with the theme "in motion" for Nonbinary Review. Up to 3000 words. Pays $.01/word for prose, $10 for poetry, and $25 for art. Deadline July 31.

Fiyah is seeking fiction and poetry by authors of the African diaspora with the theme "hauntings and horrors." 2000 to 7000 words for short stories or up to 15,000 words for novelettes. Pays $.08/word for prose, $50 for poetry, and $.10/word for nonfiction. Deadline July 31.

Sliced Up Press is seeking is seeking blood-free horror shorts stories and poetry for Bloodless. 1000 to 3000 words. Pays $30. Deadline July 31.

The Sprawl Mag is seeking poetry short stories, and visual art of a speculative nature. Up to 1000 words. Pays $20 CAD. Deadline July 31.

Are any of these of interest? Anything to add? Are you submitting? Any submission news? 

May you find your Muse.

Wednesday, June 1, 2022

IWSG - Painful Mistakes & Summer Bludgeon Pre-Order

Hello! It's that time again. Time for another Insecure Writer's Support Group.

But first, I have two teeny bits of news: I will NOT be at the Overdue Book Signing event this weekend because there's COVID up in our house, so I've had to cancel. There will still be lots of great authors and their books there for anyone who wants to go!

Also, Summer Bludgeon, which includes my short mystery story "The Class Ring," is now available for pre-order in e-book on Amazon from Unsettling Reads. There will also be a paperback, but it's not available for pre-order at this time. 

Heavily inspired by the film Grease, the story traces what happened after the events of the film...and involves a murder mystery.


33 Original Tales About Summer's Darker Side

Inspired by an earworm from a song in the 1978 film, Grease, "summer lovin'" became “summer bludgeon.” Voila! A new collection was born. The stories, poems, and art included in this collection highlight the dark corners of our hearts. They pull back the curtains and show us people at odds, broken relationships, romantic love gone terribly wrong. Cold deeds and chilling words unfold against the simmering backdrop of the "warmest" season of the year.

 

Buy Summer Bludgeon from Amazon


Okay, back to our regularly scheduled programming.


Created by Alex J. Cavanaugh, the IWSG serves to provide a place for writers to seek support and give it. Anyone can participate. Simply click on Alex's name and put your blog on the linky list, then hop around and visit others on the list, especially this month's co-hosts: SE White, Cathrina Constantine, Natalie Aguire, Joylene Nowell Butler, and Jacqui Murray!

The optional question this month is: When the going gets tough writing the story, how do you keep yourself writing until the end? If you haven't started the writing yet, why do you think that is and what do you think could help you find your groove and start?

I'm skipping the optional question this month, although my post sort of answers it in the end. 

I was really down this past weekend, due to some family issues, and then in the middle of what was a terrible weekend, I saw the news of a release for a book that was very similar to my current WIP. I've been working on this WIP off and on for probably about a decade now, which is shocking to consider, but I put it aside multiple times to work on my fantasy project, short stories, and book releases, and there were huge chunks of time where stuff with my dad, my family, and my jobs took precedence and my writing faltered. Plus, it started out as a short story, and I loved it so much that I decided to expand it into a novel and add a second POV. I've written about it on here multiple times through the years.

Now the other story being released is set during a different time period and has several other differences. What's similar is the feel. They're both horror comedies about killer critters. I guess that's where the similarities end. But it got me further down when I was already struggling. I've let similar issues make me drop a project in the past.

This time, instead of letting it sink me completely, I sat down on Saturday and finished the first draft of the book (I was 5000 words from the finish when I sat down.) I came very close to scrapping the entire thing. But this time I didn't let that happen. As soon as I get through some big work deadlines this week for the day job, I'll be jumping into revisions. Am I still mentally struggling with the doubt? You bet. But this is a project I love, and I'm not letting it go because of something that has nothing to do with me or the story.

Had I written this post on Friday or even Saturday, the tone would be very different. It took me several days to get to a positive place about it. Even as I sat there typing away at the final chapters, I was feeling dismal. This was a decade of my work. What I really wanted to do was curl up and let the numbness take over.

Now I'm just feeling that much more determined to finish it and get it out on submission, because the stories ARE different, and what this tells me is that there's a market for that type of story. Right?

I'm also excited about starting work on my next two WIPs. And maybe I won't take so long to write the next one so that this doesn't happen again. 

Not only that, but I've written, edited, and submitted one new short story per week for the last month, and I'm feeling pretty productive.

Okay, submission stats for the last month. I do this each month with my IWSG post to keep myself accountable. May stats:

24 submissions

10 rejections (feel the burn!)

0 acceptances

6 stories withdrawn from markets that either went under or were taking too long so I could resubmit

25 stories currently on submission

Note: I'm having issues with Blogger. Other than signing in and doing things on the back end, I can't stay signed in to comment on people's blogs. I can't even respond to comments on my own blog without posting as "Unknown!" I'm working on it and will get around for visits, but not today. Hoping I'll feel better tomorrow from the COVID and will have the energy to deal with the issues so I can visit then.

Have you been submitting? How are you doing? What are your insecurities? Have you ever had a similar situation to my IWSG post? What did you do? Did you scrap it or plunge forward?

May you find your Muse.

Wednesday, May 25, 2022

May Media Roundup & Conference Updates

I had a busy few weeks, with Pikes Peak Writers Conference at the end of April and StokerCon two weeks later. Funnily, I was anxious about attending each, though for different reasons, but both went well, and I had a lot of fun. Those of you who also suffer from fibromyalgia and/or chronic fatigue syndrome know well what I'm going through after attending two conferences back to back, but I'm glad I went.

I already posted a bit of a recap of PPWC in my May IWSG post, but I didn't post pictures, so figured I'd share some of those here. Our long-time photographer, and the person who did my headshots, which I still use, Jared Hagan, did a fun photo studio for the Saturday dinner, which was prom-themed. I chose not to go prommy, but I did dress up. 

Me with a couple friends: MB and Kim

MB and I pimping a friend's book (David R. Slayton, Deadbeat Druid)

Hiding in my room to get some downtime

With friends Charise and Pete

With friends (and now my publisher) Sam and MB

Friday horror clothes for a Friday horror workshop (look closely at the jacket lining--I'm not flashing you just for fun)

Me psyching myself up to do my last workshop of the weekend (number five) before folks showed up

Kameron and I in a goofy pose


StokerCon only lasted two days for me. Since I had a reading Thursday night, a panel Friday morning (EARLY), and then the book signing Friday night, I switched my hotel nights to Thursday and Friday, and headed home Saturday. By that time, I was also incredibly sick with vertigo, because I had to use the elevator, as the hotel had the stairwells locked from the inside to keep homeless folks out of the hotel. The hotel, The Curtis, was in the middle of downtown, or what's referred to as LoDo--Lower Downtown. I try not to take elevators when I can help it, which, yes, has meant using the stairs in some insanely tall buildings. For SC, I was on the 16th floor, in a beautiful corner room with a view of the city. I learned the stairwell doors were locked AFTER descending from the 16th floor to the second floor and having to climb back up, trying doors as I went, until I found an unlocked door on the tenth floor. 

My reading went well, with a nice turnout, including several friends. We walked a few blocks to grab dinner afterward, then went to a social with an open bar. There, I made a point of introducing myself to some folks I've only "met" on Facebook before. Everyone was very friendly. Then I went to a fun panel that was split into two teams. Each team was given a famous horror villain and had to make their case for why their villain would beat the other villain. Then a panel of three judges decided who had won. It was a lot of fun, and there were some major horror authors all together on one panel.

Monster Mash panel, with Brian Keene, Jennifer McMahon, Nancy Holder, Sephera Giron, Jeff Strand, Marc Abbott, John Skipp, (and some folks whose names are not popping up in my head right now...sorry!)


The next day, I got up super early and waited at the elevator. And waited. And waited. When you're on the 16th floor during a busy convention, the elevator comes to you quite sparingly, as it turns out. Of course, I normally would have just TAKEN THE STAIRS. Since I couldn't, I was late to my one and only panel, which I wasn't happy about, but I couldn't do anything about it at that point. The panel was about podcasts, audiobooks, and audio adaptations, and the room was packed. My fellow panelists were Wendy Wagner, Tonia Ransom, James Sabata, Alex Hofelich, and the moderator was Marc Abbott. They were a great group, and no one gave me crap for being late, which was nice.

The signing was insane. There were so many people crammed into the room. I don't think I've ever been in a busier signing before, and I've been in plenty. I sold a few books, and some more folks bought them online. I was lucky to be seated near some folks I knew.

Random funny story: a previous editor and current friend had asked if she could ship a couple contributor copies to me, so I could hand them off to two authors, one coming from New Zealand, one from Australia. (And I got a free copy for my troubles!). We were in touch via Messenger and text, trying to set up a meeting time. Well, you know that morning I was late to my panel? When I was stuck waiting for the elevator, a couple from New Zealand showed up, as well, and we waited together. We even introduced each other while standing there. Then I'm sitting at the Denver Horror Collective table later and it hits me that the Lee I was meeting with was the very same Lee I'd been standing at the elevator with, which I confirmed later. I did successfully get them their books, and both women ended up winning Stokers on Saturday evening! Not only that, but after chatting and trying to arrange meeting up to give them the books, we ended up at signing tables right next to each other. The world's a small place, don't you think?

With Lee and Gene at the signing, books handed off!

Before I jump into this month's media, which is pretty sparse since I was doing a lot of prep for conferences, I'll leave you with some pictures of the 13th floor of the Curtis, which is horror-themed. In fact, each floor was themed, and I believe there were themed rooms, as well. 

Down one hallway, the girl from Poltergeist

The wallpaper!

On the wall by the elevators

The Grady twins from The Shining down another hallway

Okay, media! These are some of the media I enjoyed in May and late April.

Books 


60 Ways to Die in South America, by Tracy Ashworth



A silly romance with adventure and humorous foibles. A journalist gets sent to South America to cover adventurous travel, something she is definitely not suited for, but money talks. The photographer sent to work with her knows what he's doing, and spends a lot of time saving her from herself on their adventure spree across South America. 

I can sometimes be irritated by the type of main character in these books, because they're a little too stupid for my liking and are frequently constant victims, but I felt like this character held her own a bit better than usual. The romance is sweet and the situation was a unique one.

How Beautiful We Were, by Imbolo Mbue



This book is gorgeous, soulful, and heartbreaking. It traces the line of a family in a small, African village, as they deal with the trouble western civilization (mainly Americans) and their own government and people bring to bear. From people kidnapped as slaves to oil companies destroying the land and the people who must live on it. 

The story is told from different points-of-view, including a collective group called "The Children." It is fascinating how well Mbue weaved their stories together so that there was nothing whatsoever awkward about a group of people speaking as one in those chapters. It's hard for me to explain, but I feel writers should read this for that mechanism alone.

The standout character is Thula, a young woman who starts out as a child at the beginning (her age-mates are "The Children"), watching first her father and then her uncle be destroyed by His Excellency to keep the villagers quiet. But she gets an opportunity to travel to the U.S. and attend a college there. She learns how to fight back for civil rights, and brings her knowledge back to help those villagers still remaining. Her determination makes you want to believe she can overcome her powerful government; the bad decisions of her age-mates, fellow villagers, and patriarchal countrymen; and  and the legal power of an American oil company. Her passion is contagious.

Not a fast read, but definitely worthwhile. Stunning.

Movies


The Lost City





I was all in as soon as I saw Sandra Bullock and a preview that told me this was deeply inspired by Romancing the Stone. It very similar to RtS, but updated, with some important changes. Bullock is always funny, and Radcliffe makes for a great villain. Entertaining, funny, and action packed.

Ritual (Shudder)




This Indonesian horror film was horrifying, but then it threw a bizarre twist that made it all that much more horrifying. The twist is well done, the dread palpable, and the horror...well, horrifying. A man wakes up buried under a pile of dirt. He must find his way to safety and try to find his family, who are also being hunted in the woods. And that's all I can say without giving anything away. Seriously, though, this one will stick with me, both for the abject horror of what came before the twist and the dread that followed it.

Senior Year (Netflix)



This could have failed hard and been stupid, but it was both funny and full of heart. A popular senior gets knocked out during a cheerleading exhibition, going into a coma for twenty years. When she wakes up, she's stuck with the mentality of a senior in high school, even though her body is twenty years older. Determined to get prom queen, which she was destined for before her coma, she goes back to school to finish her senior year and get popular all over again.

Jamie Marks is Dead (Shudder)



A fairly quiet film that follows the death of a boy. A different take on the afterlife and the undead. There's little violence and no real gore.

A fellow student happens across the dead body of Jamie Marks by the river. Jamie was bullied while alive, yet people now come out to grieve his death. But when the girl who found him and a boy who never bullied him start seeing Jamie walking around as if he were living, they each handle it differently.

TV Shows


LOL: Last One Laughing - Canada (Amazon)



A group of well known comedians is locked in a room, armed with humor and plenty of props. The last one to laugh wins. 

Hysterical. I guarantee you're going to recognize some of these comedians. Hosted by Jay Baruchel, you'll have a whole new appreciation for comedians after watching this. Absolutely addictive. I also recommend the Australian version, hosted by Rebel Wilson. There are a ton in other countries, including Germany and Mexico, but I haven't tried watching them yet. Not sure how well humor translates with subtitles. I'm hoping they'll do a U.S. one soon, but if not, I'll be happy with new seasons of Australia and Canada.

Dirk Gently's Holistic Detective Agency (Hulu) (originally BBC America)



This show is so weird! But incredibly twisty and entertaining. Elijah Wood plays a bit of a sad sack, who works at a hotel and gets sucked into the maelstrom that is Dirk Gently, a detective who is constantly mixed up in bizarre things, such as a the mind of a teenage girl being put into a dog, and vice versa. There's time travel, action, danger, and more. And so. much. weirdness.

The Baby (HBO)



This horror comedy is only four episodes in, but it's made a splash, so far. An unlucky woman who has retreated to a private house on the beach at the base of a sheer cliff happens to be having a smoke outside when, first, a woman plummets to her death right in front of her, and then a baby falls into her arms. 

It turns out that everywhere the baby goes, horrible things happen to people. Deadly things. While the first three episodes were darkly comical, the fourth episode had me seething in rage, so maybe a little too relevant to current affairs. I'm looking forward to the return to dark comedy next week. The serious episode was a bit of an origin story.

Hacks



I've only just started then, so I'm two episodes in, but it's a good one. Jean Smart is a famous enough comedian to have a nightly show in Vegas and a ridiculously oversized mansion in the desert. A "cancelled" comedian ends up writing for her, and the show is about their relationship.

I love Jean Smart, and have since "Designing Women," though I much prefer her in her savvier roles. She's in full savvy Jean Smart mode in this one. There are some funny elements and some dramatic elements, and it makes for a good watch.

What have you been watching? Any good shows, movies, or books you'd recommend? Attended any conferences or conventions lately?

May you find your Muse.



Wednesday, May 18, 2022

May Submission Roundup

I was briefly locked out of my blog for some reason, which freaked me out, but I changed the password and got back in. I would have thought I'd been hacked, but it was Blogger weirdness. Either way, all is well now.

Hey, I don't think I announced I won runner up in the April WEP Challenge!

Since I skipped sharing submission links last week, I'm doing it this week. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting, and don't submit if you're not comfortable with the publisher.

Accepting Submissions

Utter Speculation Publications is seeking speculative fiction about the dancing plague and what was behind it. (Funnily enough, I just covered this on the podcast!). Up to 10,000 words. Pays $10. Deadline May 24. 

Space Fantasy Magazine is seeking "stories that challenge our relationship with space." The theme is "Is There Anybody Out There?" Up to 1250 words. Pays $.08/word. Deadline May 31.

Off Topic Publishing is seeking poetry and flash fiction with the theme of "Exhaustion: Limited Reserves." Up to 1000 words. Pays $15 CAD. Deadline May 31. 

Worldsmyths is seeking F/SF stories with the theme of "Seasons" for Seasons Unceasing. 2000 to 8000 words. Pays $.005/word. Deadline May 31.

Alienhead Press is seeking ghost stories having to do with Halloween for Literally Dead. 2000 to 4000 words. Pays $.06/word. Deadline May 31.

Night Terror is seeking horror stories for "There Used to Be a House Here." 2500 to 8000 words. Pays 25 pounds, plus 100% of proceeds are donated to the charity Shelter, Shelter. Deadline May 31.

Death Knell Press is seeking astronomical horror for Nightmare Sky. 1000 to 5000 words. Pays $.01/word. Deadline May 31.

Red Cape Publishing is seeking horror stories for O is for Outbreak. 4000 to 8000 words. Pays 10 pounds. Deadline May 31. (Note: I've been published with them and it was a pleasant experience.)

Apparition Literary Magazine is seeking horror short stories and poetry with the theme "Omen." 1000 to 5000 words. Pays $.05/word. Deadline May 31.

Eternal Haunted Summer is seeking short stories for Other Than Human Realms. No word limits. Pays $5. Deadline May 31.

The Massachusetts Review is seeking poetry, nonfiction, or fiction from those who identify as disable, chronically ill, neurodiverse, etc. Up to 7000 words. Pay is not listed on this particular call, but I'm assuming it's the usual $100. Deadline June 1.

Dracula Beyond Stoker Magazine is seeking stories about Dracula for their first issue. 1500 to 5000 words. Pays $.05/word. Deadline June 15.

Eye to the Telescope is seeking SF/F poetry about Veterans of Alien Wars. Preference will go to actual veterans. Pays $.03/word. Deadline June 15.

Mythulu is seeking unique, poetic fairy tales. No retellings. 500 to 2800 words. Pays $.04/word. Deadline June 17.

The Bureau Dispatch is seeking epistolary stories for Dear X. 500 to 1500 words. Pays $50. Deadline June 17.

Dragon Soul Press is seeking horror short stories for Beautiful Darkness. 3000 to 15,000 words. Pays royalties. Deadline June 30.

Periculum Press is seeking queer pagan stories for Rites of Passage. 2500 to 7500 words. Pays $25 to $75. Deadline 30.

The Dragon's Roost is seeking Eldritch humor for LOLcraft. Up to 4500 words. Pays $.04/word. Deadline June 30. 

Quarter Press is seeking myths, fables, and folklore for The Quarter(ly) Journal. Up to 10,000 words. Pays $5. Deadline June 30.

Air and Nothingness Press is seeking stories about a Librarian's adventures through the multi-verse. 1000 to 3000 words. Pays $.08/word. Deadline June 30.

Anything of interest? Anything to share? Are you submitting?

May you find your Muse.