Craft Book Review - Finish Your Book in Three Drafts - Horwitz

I don't do reviews on here by request except in the rare instances where I'm asked to look at a book on the craft of writing. So far, I've never been steered wrong on these, and this time is no exception.

Stuart Horwitz now has three books out, all a part of the Book Architecture Trilogy. The first two are Blueprint Your Bestseller: Organize and Revise Any Manuscript with the Book Architecture Method and Book Architecture: How to Plot and Outline Without Using a Formula. The one I'll be reviewing today is Finish Your Book in Three Drafts: How to Write a Book, Revise a Book, and Complete a Book While You Still Love It.

I kept putting off reading this book, not because I wasn't looking forward to reading it, but because I read craft books differently than I read other types of books. I need time to jot down notes and to digest them, and I often have to break down my reading into installments. I didn't think I had the time to get this done until after Comic Con (I freeze up when I have presentations coming up, and I focus solely on those, to the detriment of other things.) It turns out, I would have been fine.

This book is broken down into only seven easy-to-follow chapters. It splits the act of writing and revising into three drafts: the messy draft, the method draft, and the polished draft. It includes access to nine videos on the Book Architecture website, plus nine PDFs that go deeper into certain aspects of the book, allowing you to explore them further, if you so choose, without muddying up the premise of the physical book.

The messy draft of the book is the creative act. He recommends getting those words on paper, even giving tips on how to generate material and how to KEEP generating material. He makes it easy by clearly conveying what you are trying to accomplish with this first draft. Hint: it's not perfection.

As he says on page 30, "You can't mess up the messy draft." Yet how many of us get stuck on the first draft if something isn't right? Stuart gives us the reassurance we need to go forth and spew out wordage.

The second/method draft is about making sense of what you've written in the first draft. In short, pantsers will love the messy draft, while plotters will love the method draft. This second draft is broken down into several steps, with the focus on discovering your scene, series, and theme. (Note: "series" does not refer to a book series, but to repetition of points in your story.)

Included in this draft are beta readers, with tips on what to look for in beta readers, questions you should be asking them, and how you use what they give you. This is a great, albeit short, section for those of us who struggle with this aspect. As with everything else, he breaks it down into simple terms and methods.

The polished draft is the one we make pretty. It's our final draft that we would be willing to send out to agents and editors. While he covers how to polish it, he also gives you permission to call it done without trying to find every minute detail that might need fixing.

I actually read this book in a single installment, taking notes, while internalizing quite a bit of what he said. He intentionally makes the process simple, while indicating ways to go deeper. There are several references to processes other writers have used, such as JK Rowling. He also covers killing your darlings, with pointers on removing unnecessary material you have a hard time parting with.

It should be noted that I first met Stuart at a Pikes Peak Writers workshop. From there, he has worked with a few of my friends as an independent editor or book coach, and I've heard only good from them. I highly recommend him as a speaker. He is engaging and friendly, in addition to being professional. This shows through in his books, as well, with a voice that's easy to read and to relate to.

This book can stand alone, but the entire series is a worthwhile read.

Check out his books on his website: http://bookarchitecture.com/books/

Stuart Horwitz is a ghostwriter, independent editor, and founder and principal of Book Architecture (www.BookArchitecture.com). Book Architecture’s clients have reached the best-seller list in both fiction and non-fiction, and have appeared on Oprah!, The Today Show, The Tonight Show, and in the most prestigious journals in their respective fields. He is the author of three books on writing: Blueprint Your Bestseller (Penguin/Perigee), which was named one of 2013’s best books about writing by The Writer magazine, Book Architecture (2015) which became an Amazon bestseller, and Finish Your Book in Three Drafts which was released in June of 2016.

Have you figured out a simple method for breaking down the drafts of your books? Have you read one of these books or attended one of his workshops? What craft books do you recommend?

May you find your Muse.

*Images provide by Stuart Horwitz
*Book covers from his website, www.bookarchitecture.com

The Art of Character - Interview & Book Review With David Corbett & a Cover Reveal!

Happy Monday!

Today, I'd like to welcome David Corbett to my blog for an interview on The Art of Character, his non-fiction book on the craft of writing. You'll find a review of The Art of Character preceding the interview, and a special cover reveal after that!

My Review of The Art of Character:

Award-winning author of four (soon to be five!) thrillers, compared to Graham Greene and Ernest Hemingway, ex-private investigator, and seasoned speaker and instructor, David Corbett has now released a book on how to flesh out your characters, building them from the ground up to make them believable.

I should first say that I was sent a copy of this book to write an honest review. I'd been wanting to read more books on craft, and thought this would be a good way to jump in. Upon beginning to read it, though, I was drawn in. Yes, to a book on craft. Unlike some who write books on the craft of writing, David Corbett is already a respected writer of fiction, and this shows in The Art of Character. His writing flows, and what he has to say is interesting, not at all dry. I actually enjoyed reading it, and was so engrossed that I took pages of notes to reference back to later. 

"It is entirely possible that the act of writing serves as an incantation, beckoning the Muse, who in turn lures these evanescent beings we call our characters - which are in fact archetypes - out of the inner darkness over which she reigns. This can be both a consoling and terrifying view of the matter. But inspiration often alternates between consolation and terror." p. 7, The Art of Character.

There are four main parts, not counting the introduction and epilogue, organized in a logical and easy-to-follow order: Part I - Conceiving the Character, Part II - Developing the Character, Part III - Roles, Part IV - Technique. Throughout, Corbett provides useful examples, followed by helpful exercises. Some of the exercises force you into your own head, because...

"Every story worth telling in some way mirrors our lives, and to that extent explores four key questions:

     Who am I?

     Where do I come from?

     Where am I going?

     What does it mean?" p. xxiii (introduction), The Art of Character

But he doesn't only want you to look inside yourself for your characters; he also suggests you people watch, study strangers and the people you know. Learn what there is to know about your fellow humans. He approaches characterization from multiple facets, teaching us how to view our characters in a multi-dimensional sense, and helping us to avoid cardboard copies of other people's characters.

In my opinion, it takes great skill to write a book on craft that makes you feel like you're reading a piece of fiction. He doesn't bang your head with it, instead letting it soak in by approaching it in different ways, appealing to the different learning styles each person brings to the subject. I found myself nodding as I read, my eyes being opened to something I'd thought I understood, but hadn't fully grasped. I had to give up on the notes, instead underlining passages so I could come back to them (shhh, don't tell!). 

This is one book on craft I highly recommend. Think you know how to write great characters? It's still worth a read; I challenge you not to learn anything from it.

An Interview With David Corbett:

Q1: What made you switch gears to write this book after you'd published in fiction?

I taught an online course on character through the UCLA Extension Writers’ program, and that obliged me to write out ten lectures. I tend to be somewhat thorough (read: obsessive) in my lectures, so once I was finished, I thought: Be a damn shame and an awful waste not to use all this stuff. So I talked to my agent, who to be honest was not enthused. Another book on writing? Oh, the ho and the hum. But then she read what I’d provided and saw I had a unique take, both practical and philosophical, and the writing itself was superior to most how-to books. I was trying not merely to instruct but inspire. So we packaged the thing, sent it around, and Penguin agreed to publish it.

Q2: Do you feel character building has been under-represented in books on craft?

The trend in recent books on writing has been on structure, with character seen as a crucial element of that, but character is never the central focus. Robert McKee’s Story, John Truby’s The Anatomy of Story, and Christopher Vogler’s The Writer’s Journey—three of the most influential texts out there right now—all touch on character, but in the first two books it’s dealt with primarily in functional terms (how character serves the story), and Vogler’s approach sees character more in terms of archetypes than real people. All pronounce the importance of character but give little real guidance on how to conceive or develop great characters.

The guides I’ve read dealing specifically with character also felt strangely formulaic or uninspired to me. All had decent tips but I felt they missed the crucial element: That there is no way to create great characters without a comprehensive understanding of oneself and the elements of one’s own life that form the foundations of personality. Your material is yourself. Or, as Chekhov put it: “Everything I know about human nature I learned from me.” My book tries to teach how to be a perceptive and responsive student to one’s own human nature, the better to deliver that understanding to one’s characters.

Q3: While writing The Art of Character, did you run into problems unique to writing this sort of book versus fiction?

All creative work is essentially problem solving. That’s as true of fiction as non-fiction—or mathematics. I just needed to figure out what was necessary to deliver the best book on character I could write, and get it down. I teach, so it wasn’t that fundamentally different a process than I was used to.

Q4: What do you think is the best way to learn craft (i.e. books on craft, workshops, personal experience, etc.)?

Classes and textbooks provide you with an inventory of questions to ask as you’re writing: Where should I begin my story? Whose story is it? What creates the conflict? What are the stakes? How can I amplify the stakes and intensify the conflict? How can I sustain suspense and generate surprise? The best answers to those questions lie in the books you love, the books that have inspired you as a writer. Our best teachers are always the writers we admire and hope in some small way to emulate.

Q5: What do you think is the biggest mistake writers make in character building?

They rely on the story idea and don’t plumb the character as a unique being whose wants and yearning and fears and shame all drive the action—make it necessary, not just possible. The archetype approach hasn’t helped this problem. We’re seeing thinly disguised reiterations of cardboard heroes and mentors and such rather than real people whose lives generate the details of the story, not the other way around.

Q6: Was there a resource you found invaluable in honing your craft?

I consider the three books mentioned above invaluable, even if I also consider them limited with respect to character. Lajos Egri’s The Art of Dramatic Writing was also a crucial text for me, as were Stanislavski’s three seminal texts: Creating a Role, Building a Character, and The Actor Prepares. (I learned most of what I know about writing from studying acting and trial and error.) Oakley Hall’s The Art and Craft of Novel Writing was a very important and useful source, and Robert Olen Butler’s From Where You Dream also proved incredibly helpful.

But as I noted above, in the end I’m like everyone else, in that I learned most of what I know about writing from the writers I admire.

Q7: What piece of advice would you offer aspiring authors?

Writing is rewriting. (Eudora Welty) And you can’t revise what you haven’t written.

Q8: What's next for you in your writing?

My latest novel (my fifth), The Wrong Girl, is currently making the editorial rounds in New York. My third novel, Blood of Paradise, just sold in France, and I’m working on a film project with producer Shane Salerno.

You can purchase David Corbett's The Art of Character from Amazon.com.

David Corbett is the author of four novels: The Devil’s Redhead, Done for a Dime (a New York Times Notable Book), Blood of Paradise (nominated for numerous awards, including the Edgar), and Do They Know I’m Running? David’s short fiction and poetry have appeared in numerous journals and anthologies, including Mission and Tenth, The Smoking Poet, San Francisco Noir and Best American Mystery Stories (2009 and 2011). He has taught both online and in classroom settings through the UCLA Extension's Writers' Program, Book Passage, LitReactor, 826 Valencia, The Grotto in San Francisco, and at numerous writing conferences across the US. He lives in Vallejo, CA. For more information, visit www.davidcorbett.com.

I'm also excited to tell you that David will be presenting a workshop, free, online, via Pikes Peak Writers in July. It will be live on July 16, and we'll post it online within a week of that date. I'll be sure to post on here so you can access that workshop FREE!! It will be a video, not just audio.

THE OUTER LIMITS OF INNER LIFE: Bringing Characters to Life by Looking Within.

Join award-winning author David Corbett, Pikes Peak Writers, and Delve Writing, for this free, exclusively online Write Brain workshop on creating characters with depth. You will learn how to build an intuitive connection with your characters through an informed understanding of your own past, and how to use that bridge to create compelling backstories that bring your tale to life. David will discuss the crucial role of both helplessness and willfulness in exploring character, and how these seemingly contradictory inclinations are crucial in creating complex and engaging characters. He will also explore ways to heighten conflict in your story through a better understanding of the emotional stakes. By the end of the class, you'll walk away with a healthy start on your next bestselling novel and a deeper understanding of your characters and your story.

(Note: You can access this recording late the third week of July on the Pikes Peak Writers website. There's one available there now, completely free, from Page Lambert: Manifestation of Yearning: The Flesh & Blood Factor of Good Storytelling.)

AND NOW FOR SOMETHING COMPLETELY DIFFERENT! A Cover Reveal!

Zoe has a great pair of legs, perky boobs, and wears exactly what she needs to show it all off. She works hard for the easy sleazy ‘you only wish you were me’ reputation, burying who she really is—an all-out nerd. 

The only time Zoe gets to be herself is when she hides under her comforter to read X-Men comics, sending jealousy stabs at everyone who attends Comic-Con. Keeping up her popular rep is too important, and she’s so damn insecure to care about the consequences. But when Zoe’s sister takes her car for a ‘crash and burn into a tree’ joyride, her parents get her a replacement. A manual. Something she doesn’t know how to operate, but her next door neighbor Zak sure as heck does. 

Zak’s a geek to the core, shunned by everyone in school for playing Dungeons and Dragons at lunch and wearing “Use the Force” t-shirts. And Zoe’s got it bad for the boy. Only Zak doesn’t want Popular Zoe. He wants Geek Zoe. 

She has to shove her insecurities and the fear of dropping a few rungs on the social ladder aside to prove to Zak who she really is and who she wants to be… if she can figure it out herself.

The release date is expected in September 2013.

Cassie Mae is a nerd to the core from Utah, who likes to write about other nerds who find love. She’s the author of the Amazon Bestseller REASONS I FELL FOR THE FUNNY FAT FRIEND, and is the debut author for the Random House FLIRT line with her New Adult novels FRIDAY NIGHT ALIBI and PULLING THE SWITCH. She also has a three book deal with Swoon Romance Publishing, including her book HOW TO DATE A NERD. She spends her time with her angel children and perfect husband who fan her and feed her grapes while she clacks away on the keyboard. Then she wakes up from that dream world and manages to get a few words on the computer while the house explodes around her. When she’s not writing, she’s spending time with the youth in her community as a volleyball and basketball coach, or searching the house desperately for chocolate.