Showing posts with label denver. Show all posts
Showing posts with label denver. Show all posts

Wednesday, January 20, 2016

[Mostly] Wordless Wednesday - Mammoth Skies & Links

We went to the Denver Museum of Nature and Science this week, hoping to see the temporary Sherlock Holmes exhibit, but it was sold out. Luckily, we have a membership, so it didn't cost us anything (other than 2 hours worth of driving, round trip). The kids still had fun visiting their favorite exhibits (one on the human body and one about space,) and when we left, the sun was starting to slip behind the Rockies. Denver is farther from the mountains than we are in Colorado Springs, so the view is different than I'm used to. No spectacular colors, but it was still pretty. Canadian geese were flying around a nearby lake, honking and gossiping. The nearby clouds were backlit by the rays of the dying sun. And it was fun imagining the mammoth was really there. Could you imagine the sight of a real one of these beasts among the skyscrapers, trumpeting out its call?




Now it's time for links. Bear in mind that I'm not endorsing any of these, merely passing them along. Always do your own due diligence in researching markets before submitting to them.

Accepting Submissions:

The Lorelei Signal is open to fantasy. Because the twin magazine, Sorcerous Signals closed, they have changed to not requiring female main characters, though any female characters must not be window dressing. Short stories, flash fiction, and poetry. Up to 10,000 words. Pays $7.50 per short story, $3 per poem/flash. Current reading period ends February 15.

Lillicat Publishers is open for science fiction short stories for the anthology Visions IV: Space Between Stars. 3000-8000 words. Pays $25. Deadline February 15.

Lightspeed is open for science fiction short stories for People of Colo(u)r Destroy Science Fiction, a special edition. They are also running a kickstarter to finance this project. If they are successful and reach a certain point, they will open up People of Colo(u)r Destroy Fantasy and People of Colo(u)r Destroy Horror. Up to 10,000 words. You must be a person of color to submit. I'm not sure what the pay is, but it is paying. They're also seeking artwork, which will be paid for. Both the kickstarter and the submissions close February 19.

Ninth Letter is open for literary fiction, poetry, and essays. Up to 8000 words. Pays $25 per printed page. Current deadline February 28.

Blyant Publishing is open for short fiction of any genre for their quarterly anthology blAekk. The current theme is nationality. 1000-2000 words. Pays £10 to £20 depending on length. Deadline February 28.

SpeckLit is open for speculative fiction and reviews. Drabbles only, so 100 words. Pays $.05/word. Deadline for this quarter is February 28.

Vine Leaves Literary Journal is looking for prose, poetry, and script vignettes in any genre. Pays $5 AUD. Current deadline is February 28.

Nosetouch Press is open for horror short stories for the anthology Blood, Sweat & Fears: Horror Inspired by the 1970s. 3000-10,000 words. Pays $25, plus contributor copy. Deadline February 29.

Contests:

Escape Pod is holding a flash fiction contest. Science fiction. No more than 500 words. Three winners will be paid $30, and their stories presented on a podcast. Deadline February 15.

Blog Hops:

The WEP Valentine's Edition details have been posted. You can submit in all kinds of ways, be it flash fiction, poetry, non-fiction, artwork, or photos. Up to 1000 words. Sign up and post between February 17 and 19th.

What creature from the past would you most want to see now? Any of these links of interest? Anything to share? Publishing news?

May you find your Muse.

Wednesday, September 23, 2015

[Mostly] Wordless Wednesday - A Lake With a View & Links

The annual walk to support the ALS Association was a week-and-a-half ago up in Denver at Sloan Lake Park. It was a much larger lake than in years previous, and there was a view of downtown Denver.


Now for some links. I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting to a publication or contest.

Accepting Submissions:

Chicken Soup for the Soul is seeking stories from families caring for loved ones with Alzheimer's and dementia, as well as stories on the joys of simplifying your life. Must be written in first person. 1200 words or less. Pays $200. Deadline for these two is October 30. Check site for other topics ending soon.

Perpetual Motion Machine Publishing is seeking short horror for the anthology Lost Signals. They want stories about radiotelegraphy. 1000-20,000 words. Pays $.01/word. Deadline October 31.

Horroraddicts.net is seeking horror fairytales, fables, and folklore for the anthology Once Upon a Scream. 2000-8000 words. Pays $5, plus a digital contributor copy. Deadline October 31.

NonBinary Review is seeking fiction, creative nonfiction, flash, poetry, and experimental/hybrid. Up to 5000 words. Also visual art. The theme for Issue #7 is The Woman in White. Pays $.01/word for prose, $10 per poem, and $25 per art piece. Deadline for this issue is October 31.

18th Wall is seeking short stories that combine urban legends and mysteries for their anthology All the Petty Myths. 3000-25,000 words. Pays in royalties. Deadline October 31.

Less Than Three Press is seeking LGBTQIA short stories about private investigators for their anthology Private Dicks: Packing Heat. 10,000-20,000 words. Pays a flat fee of $200. Deadline October 31.

The Overcast is seeking short speculative fiction for podcasts. They prefer stories from authors in the Pacific Northwest, but take submissions from everyone. Pays $.02/word. Open for submissions during the month of October.

Josh Strnad is seeking dark fiction for the anthology Silent Screams: An Anthology of Socially Conscious Dark Fiction. They want stories that give voice to those who don't have one of their own. Though this is a charity anthology, authors will be paid $.01/word. Deadline October 31.

DM Publishing is seeking horror short fiction by women for their anthology Fright Mare. 3000-10,000 words. Pays $30. Deadline October 31.

Zombies Need Brains LLC is seeking short speculative fiction for two anthologies: Alien Artifacts and Were-. Up to 7500 words. Pays $.06/word. Deadline October 31.

Any of these of interest? Anything to share or add? Do you have experience with any of these publishers? Publishing news?

May you find your Muse.

Monday, February 4, 2013

Adventures in Kim Harrison World

Hello! So you may have read last week that I went to a Kim Harrison book signing at the Tattered Cover in Denver last week...


It was snowing that night, and ever so coooooold.

It was actually clear in Colorado Springs when we left, and I hadn't checked the weather. The drive up to Denver is about an hour long, though probably a bit over to this part of Denver. We hit snow about halfway there and slowed to a crawl on the interstate.

~Pause, roll, pause, roll.~

It was so bad, my friend and I had to open the windows and let the snow drift in, because we were both nauseous. There's something about swirling chunks of snow that gives a person a little vertigo, especially when it's dark and the snow is whirling through various sets of headlights (plus, I suffer from a chronic migraine condition that causes frequent vertigo, so that didn't help).

The Tattered Cover is a shrine for readers and writers alike, and one I've wanted to visit for ages. Problem being, I'm not a big-city girl. I don't like to drive in the area, and I hate having to find parking (and pay for the privilege of using it). However, for Kim Harrison, and with the company of a friend and my little sister (who we picked up in Denver), I figured the trek would be worth it.

There are two Tattered Covers, but this one is somewhere called the 16th Street Mall, a stretch of old roadway with shops rising on either side. A shuttle runs from one end to the other alongside horse drawn carts, bicycles and pedestrians.


We found parking just a couple storefronts up. The meter wouldn't let my sister put in more than an hour with her card, so we shoveled in a few more coins, figuring we'd come back out to add money if we were in there too long. We then braved the slick pavement, shuffling through bits of slush, until we came to the unassuming, yet still magnificent, double wooden doors. My first sight of the Tattered Cover!

The old wooden floors creaked and groaned beneath our feet. I've always loved that sound. Bookshelves rose all around us, the smells of ink, paper and coffee enveloping us, drawing us in. Covers both shiny and dull beckoned us--leather, paper and cloth.

I should have taken a photo of the inside of the Tattered Cover, but we were late due to the snow, so we rushed upstairs to get our numbers for the book signing: 111, 112 and 113--yeah, we were really late.

For the signing, we were upstairs in a dedicated area. I dream of signing a book I've written in that space some day.

We moved around the already seated audience, taking in photos of famous faces that lined the walls, and ended up in a row one from the back, behind a large column. A few more people made their way in, some wearing matching shirts. We'd find out later that Kim Harrison gives away shirts at her signings/readings, so these guys must have attended others.

A brief intro, and Kim Harrison stood before us on a podium, wonderful thick hair, dark glasses.


She read a snippet from her new book, Ever After. I learned I'd been saying one of the character's names wrong the whole time...whoops! It was great to hear it in her voice, and she didn't read for so long that I was bored, which was nice. She then did a Q&A, her favorite part, she said.

The questions were good, better than I expected. One amusing one stuck out: they asked what burnt amber smelled like and she said she really had burned amber, and she didn't recommend it, because it stank. She was asked if she was tired of writing the series yet, and she said she was getting there, but wasn't yet. She also said that it was an author's job to keep themselves interested in their stories, because if they're bored, the reader is bored. She did say that when she grows bored of it, she will let it go.

She and her husband had some fun banter back and forth throughout, and during the signing process he came around and asked if there were any additional questions anyone had, any stories anyone might want to hear. He chatted with us about Kim Harrison World, and how she writes every day and keeps business hours. As he said, that's how you get a series of best sellers. He told us about their first date (Valentine's, but he had no idea it was that day; he just knew it was Friday). He makes her tea in the morning, and then checks on her throughout the day to see if she needs food. I asked him to write a letter to hubby so he'd know what would be expected of him. ;-p

During the signing, they also had a camera going around, and asked people to take photos of themselves or their shoes. Yes, she has a Pinterest board for shoes/feet, as well as photos taken at her signings, so check it out if you have an account.

We finally got in line, and when we got to the front a woman offered to take a picture of us (my little sister, me, Kim Harrison):


She was pleasant to talk to and, despite being a self-confessed introvert (her hubby is the extrovert), she was a great speaker. I highly recommend attending if she has anything in your area. I think she was heading east again, to one of the Carolinas?

When we got out of there, it was after 10pm, and I had a big fat parking ticket, because the meter had run out. I'd turned my phone off inside and had no idea how late it had gotten. Instead of putting the ticket on my windshield, where I first looked for it, they shoved it in the door, so I was all relieved when I didn't see the darned thing, then brought right back down. Messed up. I was NOT a happy camper. Jerks.

It had stopped snowing while we were inside, so we went to dinner at a Village Inn. By the time we walked back out, the snow was falling in those big, heavy chunks again, and the drive down was hellacious. My windshield wipers froze, so they stopped actually clearing anything off the windshield. My contacts dried out. Visibility was low. I couldn't tell if it was icy or just wet. I did finally pull off in Castle Rock and get the ice off my windshield wipers, but yikes! It dried up soon after, and we arrived to find a bone dry Colorado Springs (though it did snow overnight).

And that was my Adventure in Kim Harrison World.

I'd love to go back up to Tattered Cover, but I have no interest in paying the city anymore money to do so. Boo, hiss. Way to ruin a girl's night. Stupid meter. Stupid me for having manners and turning my darned phone off!!!! Next time I'll turn it on when it comes to signing time. (And, no, I can't wear watches--I kill the batteries.) My bad.

Ever been to a signing? How about a Kim Harrison signing? Did you get a shirt? Heard of 16th St Mall or Tattered Cover? Been there? Do you have as much trouble as I do adjusting to using only one space after periods?

May you find your Muse.




Monday, October 22, 2012

Mile Hi Con Highlights - Day 1

Well hello, and Happy Monday!

First, my presentation went well.  I wasn't very nervous, which I found to be true at Author Fest once I got up in front of everyone, too.  Funny that I worry more before that date, but not actually when I'm in front and presenting.  There was a good showing and great questions!  We didn't get through everything, but it was more important that the attendees understand what we had already gone over than that I got through every little thing I'd been asked to talk about.

Friday, I took my kids and my nephew to Seven Falls, a set of waterfalls in Cheyenne Canyon, so I'm looking forward to sharing those photos on Wednesday.  I headed up to my first day of Mile Hi Con later that afternoon, having walked up an insane number of steps, then hiked up the side of a canyon.  In other words, I was already exhausted, but happily so, and excited.

When I walked in, I was completely out of my element.  I had to ask directions to the Con at the front desk (it was on the 2nd floor).  I went up the stairs only to wander around amongst all the tables with no idea where I was supposed to check in.  It took asking two different people (who were each very nice and helpful) before I got to the correct desk and got my groovy badge and program.  I had fun gawking at all the various types of costumes those moving around me had on.  I saw Star Trek costumes of all different types, steampunk outfits, furries, elves, Dresden (!), etc.

Happily, I was joined by a friend, and she showed me where to go from there.  The first program we attended was "Writing the Holy Trilogy," featuring the always fabulous Carol Berg, Warren Hammond, Catherine Cooke Montrose, the sweet and supportive Jeanne Stein, and Peter J. Wacks.  They discussed a little about the difference between a series and a trilogy (a series tends to be like a set of TV episodes, where it's the same characters, but there is a stand alone tale in each book, while a trilogy is usually a story arc that takes three books to tell the tale).  Some had the entire trilogy planned out from the beginning, but others stated that wasn't necessary, and that you could take the story piece by piece.

Someone in the audience asked whether book length mattered, whether each book in a trilogy should be long.  Otherwise, the implication was that shorter books in a trilogy should maybe just be combined into big book.  The overall perception of the panel was that novel length didn't matter, and that it depended on how the writer wanted to break down their story.  An interesting tidbit: Carol Berg tends to have a natural word count of 175,000 or so words in a book, while Jeanne Stein averages more like 75-80,000 words.  And both are okay.

It was discussed that publishers have classically (in recent years) preferred shorter novels so as to fit them better on shelves and save ink and paper costs, but e-books are changing that.  Now, length doesn't matter.

They each passed along some tricks of the trade.

Wacks: If things stall out during writing, injure or kill a character.
Berg: Jots down notes, timeline, glossary or terms, magic of the world, etc.  Rarely starts with a full world, but has an idea of aspects of it (Carol is known around these parts as an expert at world building).
Hammond: He sketches out some notes, like a flow chart.  Basically, where the story begins and ends, and a couple of plot points.  Starts from there.
Stein: Her books usually start with an idea, which she gets from TV, the news, eavesdropping, anything.  She sketches out her protagonist first and how they will be involved with the story idea.
Montrose: Thinks of the worlds first, sketches them, fulling imagines them.  Eventually, a character wanders through, and she goes from there.  Tolkien is a major inspiration for her.

A useful audience question and the responses: Is it a mistake to finish all the books in your trilogy before the first one has been picked up by a publishing house?  It was overall agreed that it was actually good to have the trilogy done.  Writing under deadline is hard, and can cramp your creativity.  Yes, you will likely have to go back and edit it, but it's worth it to have the entire story done for yourself, if for no one else.

Someone pointed out that it would be an issue to have the first book picked up, but not the next ones in the trilogy, to which Carol Berg said that's not true anymore.  The ease of self-publishing means that you could put out the rest of your trilogy on your own if there was an audience for your first book.  We have that ability now.

Final points from the panel:
Wacks: Finds he has the best luck with building the roles first.  However, you should find the way that works best for you and stick with it.
Stein: Build your story any way you want, but stick to the rules you create.  She also said to write.  Don't say you WANT to write.  Write.
Hammond: "In writing, the tortoise wins."  The person that grabs 15 minutes here or there, but continues grabbing those moments, is the one that typically gets finished and gets published.  Finish, then sell.  Don't write to sell.
Montrose: Get feedback.  Learn to share your work.
Berg: Don't sett out to write a trilogy.  Don't think it has to be three and make it that way.  Set out to write a good story, one you enjoy and want to write.  Write what you would enjoy reading.  Also, don't over-constrain your world.  As in, don't figure out every single little rule and bit of makeup of that world, or you may write yourself into a corner in future books.  Part of the fun in writing an ongoing trilogy or series is to keep developing that world, and leaving it open allows you to do that.

That was a phenomenal panel, in case you couldn't tell from my "brief" summary.  We next went to "CJ Henderson Presents 'Abuse an Author'."  The authors we got to abuse--ask questions of on any theme--were Stephen Graham Jones, Mario Acevedo, Melinda Snodgrass, James Van Pelt and the moderator, CJ Henderson.  There were some interesting questions asked (ex: "Which of the worlds you've created would you want to live in and not want to live in?" "What book do you wish you'd written?" "Can you still be surprised by your work?").

We grabbed a bite to eat (all I'd had since my big hike was half a peanut butter sandwich and some water).  Pretty sure I should be humiliated by the pure vacuuming of food I did, but I was too hungry to care.  I had ketchup all over my fingers and even (yes, I'm admitting this) found some on my shirt later.  That's how hungry I was.  In my defense, I'd burned five billion calories earlier that day, with just a cereal bar and half sandwich standing between health and wasting away, and it was 8:30pm by the time I got any food.  Thank goodness the hotel bar was open and serving food!

The third thing we attended was "Hipster Readings...with Bongos," a reading with a little extra bongo flavor.  While one guy played the bongos (not sure of his name), the following authors read from their work: Mario Acevedo, Betsy Dornbusch, Jason Heller, Stephen Graham Jones, j.a. kazimer, and Cherie Priest.  I must say, I'm not a big fan of sitting and listening to someone read (I prefer to read on my own), but this was enjoyable, kept me engaged and was  a fun way to spend an hour.  Also, it made me want to buy books by every single reader (of course, I already have books from three of them...).

The last thing we attended before I hopped in my car to head back home and get some final work done on my presentation was "The Love & Sex Lives of the Victorians," billed as a pajama panel.  There were a couple folks there in their pajamas, as well as one fella' who passed out partway through it.  Yep, he was in the front row and fell asleep.  Despite that fact, it was a fascinating panel.  They knew their stuff about sex, sensuality and women's rights/privileges in that era.  I do love history, and the history of sexuality is full of interesting and unexpected information, such as the barriers crossed in Victorian porn that we'd consider foul and disturbing now, despite thinking they were so uptight.  How about the belief that keeping your wife pregnant every other year would save a man from his own sins in wanting to have sex all the time (because, after all, we all know women don't like sex when pregnant...whoops).  Is it true what they say about the true reason for the popularity of fainting couches?  I'm going to let you look that one up on your own.

I'll hit on Saturday's highlights in a separate post.

What do you think of the panels?  Anything of interest to you?