Friday, April 27, 2018

Horror List Book Review: Ghoul


I'm reading through three lists of best horror with two friends (DeAnna Knippling and M.B. Partlow), posting reviews as we go. (For more information, including a list of the books, see this post.)

This week I'm reviewing Ghoul, by Brian Keene.



First, a warning to anyone who might consider this book that it involves quite a few "triggers": women being captured and raped, violence against a dog, domestic violence, and harm toward children.

I thought this was a good book with horror found in more than the title ghoul. In fact, the ghoul is really the least of this novel. Humans can be awful, but they're also complicated. As you can see from the warnings above, Keene hits on a lot of sore subjects for people. If one thing doesn't bother, surely another will. 

At first, I thought the lessons to come would be too heavy handed, due to the issues revolving around a couple of the characters, which just felt blatant. The way they're laid out at the beginning made me roll my eyes. But as the story progressed, I felt like the characters were well built, each of their stories coming into play with the main story line. Keene has a grasp on the lives of boys, the things they care about, the things they worry about, their thought processes, etc., and this shows in the book. 

The story here is a lot deeper than a monster in a graveyard. As I said above, it's really about humanity, the ills we visit upon each other, and the ways we cope. Especially young boys in shitty situations (and one in a pretty normal situation, who takes it as any young boy would).

I almost wish the epilogue hadn't existed, but it meant something, it was stark and honest, so it had its place. Don't expect a happy ending tied up in a neat bow.

My top ten remains the same.

My Top Ten:


1. The Handmaid's Tale (Margaret Atwood)
2. The Girl Next Door (Jack Ketchum)
3. The Bottoms (Joe R. Lansdale)
4. Coraline (Neil Gaiman)
5. The Bridge (John Skipp and Craig Spector)
6. A Choir of Ill Children (Tom Piccirilli)
7. Needful Things (Stephen King)
8. 1Q84 (Haruki Murakami)
9. Those Who Hunt the Night (Barbara Hambly)
10. Rebecca (Daphne DuMaurier)

Now for some links. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence when submitting.

Accepting Submissions:

Broadswords & Blasters is seeking pulp fiction. 2000 to 5000 words. Pays $15.

Vanity Projection is seeking humorous and satirical short pieces. Pays $5.

The Writing District holds a free writing contest very month. Up to 3000 words. The winner gets $50. Deadline is the last day of each month.

Poetry Foundation is seeking poetry. They pay $10 per line. Also accepting visual poetry now.

Flash Fiction Online is seeking flash fiction. Open genre. 500 to 1000 words. Pays $60.


Check out my horror short story collection, Blue Sludge Blues & Other Abominations, available in paperback and e-book from Amazon, Barnes & Noble, Nook, Smashwords, and Apple. See my Publications tab for more information.

Have you read this book? Have you read anything by Brian Keene? Any of these links of interest? Anything to share? Have you been submitting or querying anything?

May you find your Muse.


Monday, April 23, 2018

Are You Already All Ready?

This is Part II of the "A" word blog series. Today's words are Already vs. All Ready.

The first part of this series was Alright vs. All Right.

Before we jump into the post, a quick announcement! The Necro-Om-Nom-Nom-Icon is now available at Amazon, and features not one, but TWO of my short stories: The Dating Game and Message of the Night-Gaunts!



Here are a couple pictures from the release party:

Tentacled Pants

Our editor, Jason Dias


Okay, now for this week's words:

Unlike last week's words, both of of today's words are real words/terms in use. They just have different meanings.

Already is an adverb. According to dictionary.com, it means "by this or that time; previously; prior to or at some specified or implied time" and "now; so soon; so early."

Examples: 

I already did that.

Is it time to go already?

Bonus use--exasperated exclamations: All right, already!

All Ready means something is finished or prepared. It basically means the same as ready, but the all clarifies it, like the word completely or entirely would. If you could leave off the all or replace it with completely/entirely without changing the meaning of the sentence, you're using it correctly.

Example:

Did you get that all ready for your presentation?


Now for some links. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence when submitting.

Accepting Submissions:

Sincyr Publishing is seeking love stories between men, where pregnancy is involved, for Loving Them. 3000 to 6000 words. Pays in royalties. Deadline May 30.

AGNI is seeking poetry, short fiction, and essays. Pays up to $150. Deadline May 31.

One Story is seeking literary fiction. 3000 to 8000 words. Pays $500. Deadline May 31.

Grain is seeking eclectic literary fiction, nonfiction, and poetry. Up to 3500 words. Pays up to $250.

Nashville Review is seeking literary fiction, nonfiction, and poetry. Up to 8000 words. Pays between $25 and $100. Deadline May 31.

Black Coffee & Vinyl is seeking fiction, nonfiction, poetry, artwork, photography, and music in the theme Ice Culture. Up to 2000 words. Pays $50. Deadline May 31.


Check out my horror short story collection, available from Amazon, Smashwords, Barnes and Noble, Nook, and Apple. More information on the Publications tab.

Is this information you already knew? Have you been using these words/terms right? Any of these links of interest? Anything to share? Have you been submitting or querying?

May you find your Muse.


Wednesday, April 18, 2018

Alright, All Right, Alrite...

It feels like forever since I did a regular blog post, so it's time to post something with some sort of value, eh?

Before jumping into the post, Beneath the Waves is now available for purchase at Amazon, and includes my short story A Cold and Carnal Hunger.


When I was editing the WIP I currently have on submission to agents, I found I had some confusion about a lot of "A" words. For example alright vs. all right. I ended up jotting down the words that were giving me issues, so that I could do a pass through during editing specifically to ensure I was using the right words.

It seems we've smooshed some words together that shouldn't actually be one word, and in other cases, whether it's one word or two depends upon the usage, so I figured I'd compile what I learned into a series of posts, partially for me to reference in the future.

I'm starting with alright vs. all right. In case that wasn't clear from the title. (I was channeling Matthew McConaughey, what can I say? And in order to fully channel him, I threw in a truly fake version of the word: alrite.)


As it turns out, McConaughey must be saying, "All right, all right, all right." While in usage, all right is often used to mean all of something are correct, and alright has been used to mean it's okay, it turns out alright is NOT a word at all. Not in American English. Apparently, it's more questionable on whether it is accepted in British English, though it's considered to not be a word in both.

So whether you're saying something is okay or something is correct, all right is the way to go in formal writing. Of course, you can choose to do it the wrong way, and most people probably won't blink.

But...the more you know, right?


Okay, link time. Bear in mind I'm not endorsing any of these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Bennington Review is seeking fiction, creative nonfiction, poetry, and more. Pays $20 to $200. Deadline May 15.

Gehenna and Hinnom is seeking dark short fiction that falls under weird fiction and cosmic horror. Up to 5000 words. Pays $30 to $55. Deadline May 15.

Spider is seeking children's stories with the theme Inventions for ages 6-9. Fiction, nonfiction, poetry, crafts, etc. 300 to 1000 words. Pays up to $.25/word. Deadline May 15.

Wizards in Space is seeking speculative fiction with serious themes close to the heart. Up to 5000 words. Pays $30. Deadline May 26.

The Weekly Humorist is seeking comedy writers to do pieces up to 1500 words. Pays $20.

Don't forget to email me your publication news and announcements for the IWSG newsletter! You can use the Contact Me form here on the main page.


My horror short story collection, Blue Sludge Blues & Other Abominations is available in print and e-book. Check it out on the Publications tab!

Have you been using "all right" all right? If not, will you still use alright? Any of these links of interest? Anything to share? Have you been submitting or querying?

May you find your Muse.


Friday, April 13, 2018

Horror List Book Review: The Bridge

I'm reading through three lists of best horror with two friends (DeAnna Knippling and M.B. Partlow), posting reviews as we go. (For more information, including a list of the books, see this post.)


This week I'm reviewing The Bridge, by Craig Spector and John Skipp. (I had said I'd be reviewing "Ghoul," by Brian Keene next, but I forgot I said that, and I picked this one up from the pile instead.)


I'm not new to splatterpunk, but I am new to eco-horror. Oddly, eco-horror is not my favorite sub-genre (I say oddly, because it's just a different type of apocalypse, and I enjoy those). However, I enjoy the way they wrote enough that being brow-beat about the environment (not that I disagree, but I tend to be turned off when it feels like I'm being preached to) couldn't put me off the book.

They had such a fantastic way with words that at times it was almost literary, but then the gross-out factor was high. The descriptions were disgusting and amusing, often at the same time. They elicited groans and "ew"s from me several times, which I love. It was quite a visceral experience.

The book was about toxic sludge pollution becoming sentient and wiping out a town. It takes over people and uses them to grotesque purpose. There were a lot of characters to keep track of, so though the good guys stood apart in my head and stayed separately identifiable, some of the bad guys blended together for me at times, because they're all being taken over, which means they're the Overmind, but maybe it's intentional that they blended together, though they retained their original names.

Despite the minor complaints above I liked this one enough that it's going in my top ten. Now to figure out where...


My Top Ten:

1. The Handmaid's Tale (Margaret Atwood)
2. The Girl Next Door (Jack Ketchum)
3. The Bottoms (Joe R. Lansdale)
4. Coraline (Neil Gaiman)
5. The Bridge (John Skipp and Craig Spector)
6. A Choir of Ill Children (Tom Piccirilli)
7. Needful Things (Stephen King)
8. 1Q84 (Haruki Murakami)
9. Those Who Hunt the Night (Barbara Hambly)
10. Rebecca (Daphne DuMaurier)


Okay, maybe next time it'll be "Ghoul," by Brian Keene.

Have you read any Skipp/Spector books? How about eco-horror? What do you think about it? What Skipp/Spector book would you recommend?

May you find your Muse.

Wednesday, April 4, 2018

IWSG: Exciting News & Links

It's the first Wednesday of April, which means it's time for another edition of the Insecure Writer's Support Group, created by Alex J. Cavanaugh!


This group was created for writers to express their insecurities and seek support from fellow writers. Anyone is welcome to participate. Just click on Alex's name above and sign up, post the first Wednesday of the month, and visit your fellow IWSG'ers.

This month's co-hosts are  Olga Godim, Chemist Ken, Renee Scattergood, and Tamara Narayan! Be sure to drop by and say hi and thanks for their hard work.

Speaking of the IWSG, I've got some news: As of this month, I've joined the IWSG team! Christine Rains is stepping down from her reign as the newsletter queen, and I'm taking over. I'm excited to be part of the IWSG crew!

This month's optional question: When your writing life is a bit cloudy or filled with rain, what do you do to dig down and keep on writing?

First, if something else is going on, I try to give myself a break. Maybe I just need a break from writing. Otherwise, I tend to set reasonable goals if I'm struggling, and to seek out themed submissions calls to see if anything catches my interest and sparks a story idea. If I need to work on something else, that's what I'll do.

While I spend plenty of time beating myself up when I'm not accomplishing what I think I should be, I try not to. If I make myself miserable over writing, the joy of it will dissipate. And who wants that? So if I'm struggling with my writing, I try to figure out why so I can figure out the best solution.

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March Submission Stats

Each month, I do a submissions/publication summary of the month before in order to keep myself accountable. Here's March:

Submitted: 3 short stories
Acceptances: 2
Rejections: 1
Short Listed: 3
Published: 0
Currently on Submission: 10
Other: A magazine I was due to have a story in went under about a month before the projected release date. While I was disappointed, as it was a cool magazine, that story was picked up by the new publication being put out by one of the creators of the previous magazine, and will release in May or June in the first issue of the new magazine.

I didn't get much writing done this month or last, which was a letdown after a productive January. I'm trying to get regular life back in order after the book launch, and then I should get more done.

Other Publishing News in March:

My short story collection, Blue Sludge Blues & Other Abominations was released on March 15! Clicking on the title will take you to the Amazon page, but it is also for sale from Barnes & Noble and Apple. More buy links can be found on my Publications tab.

My release party the week after it came out was great fun! We celebrated with pie and wine.


I had a flash fiction piece up at Cottonwood Center for the Arts that was inspired by a piece of art by Linda Logan (the artwork was untitled). This was a cool inter-arts program run by Pikes Peak Writers, with plans to flip it and have artists create pieces of artwork inspired by pieces of flash fiction. This was the brain child of Bowen Gillings.


Some April News (this week):

My short story A Cold & Carnal Hunger is in Beneath the Waves - Tales From the Deep, an anthology of water-based horror edited by Steve Dillon, and including stories from Clive Barker, HG Wells, HP Lovecraft, and Brian Lumley. The price goes up to $22 this weekend, so grab it now for $16! A hardcover edition will be releasing next week for $33.



I'll be signing copies of the Necro-Om-Nom-Nom-Icon, an anthology including two of my HP Lovecraft related stories, at Stir Coffee & Cocktails this Saturday from 1-4 with my fellow anthology authors. Copies of Blue Sludge Blues will also be available for sale. If you're local, come on out! This should be a good time. I don't have buy links for this yet, but once I do, they'll be on the Publications tab and the left sidebar.


Wow, it's been a busy month. Really, it's been a busy year, so far! I absolutely can't wait to have copies of the above two books in my greedy little hands. 

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Submission Link Time!

Now for some links. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Bayou Magazine is seeking short fiction, non-fiction, poetry, and art. Up to 7500 words. Pays $25-$50. Deadline May 1.

Carte Blanche is seeking narrative fiction, non-fiction, poetry, comics, photography, and art. Up to 3500 words. Pays "a modest honorarium." Deadline May 1.

The First Line is seeking short fiction and non-fiction with the first line "'I wanted you to be the first to know,' Rowan tentatively confided in me." 300 to 5000 words. Pays between $5-$50. Deadline May 1.

Midnight Hour is seeking horror, dark sci-fi, neo-noire, cyberpunk, and dark speculative fiction for Midnight Hour. 1500 to 8000 words. They're also seeking dark Christmas stories for Midnight Before Christmas. 1000 to 10,000 words. Both pay $.02/word. Deadline for both is May 1.

Nosetouch Press is seeking folk horror for Fiends in the Furrows, an anthology. 5000 to 10,000 words. Pays $.01/word. Deadline May 1.

What are your writing insecurities? Do you read the IWSG newsletter? Are any of these links of interest? Any you might submit to? Anything to share? Have you had any submissions this month?

May you find your Muse.