Wednesday, October 29, 2014

A View From a Room & Links

While at Mile Hi Con, I pretty much lived in the hotel, other than having dinner out both nights. We didn't have a bad view from the room, though. Here's a narrow shot of the building across the way (we could also see part of the Rocky Mountain range and a lot of changing trees mixed into neighborhoods.) I liked the way it reflected the buildings in it.

Don't forget that next Wednesday is Insecure Writer's Support Group time! If you've been thinking about participating, now's a good time to jump in.

Now for some links. Bear in mind that I am not personally recommending these publications. I am merely passing along information I've come across. Always do your due diligence before submitting to publications and contests.

Accepting Submissions:

Unsolicited Press is seeking short fiction, creative non-fiction, poetry, and artwork for The Fictioneer. Deadline December 1. (They take year-round submissions, but have specific reading periods, so your piece will sit around until the next reading period if you send it in after the deadline.) Payment will be royalties if they turn a profit.

Taking the Lane is looking for stories for Bikes in Space. Piece should be about 1000 words. Deadline December 1. Seeking diverse perspectives. Payment not specified.

Leap Books is taking submissions for their anthology Beware the Little White Rabbit. YA, 4000-6000 words. Must include a protagonist named Alice and a stuffed white rabbit. Deadline November 15. Pays $50.

The Southern Review closes for unsolicited fiction and non-fiction December 1. (Unsolicited poetry through February 1.) 8000 words or less. Mail submission only. Pays $25 per printed page, $200 maximum ($125 for poetry), plus 2 issues of the magazine you're featured in and a year-long subscription.

Sci-Fi Romance Quarterly is looking for short stories. Romantic science fiction. 2000-7500 words. Deadline December 1. Pays $.02/word.

The Masters Review is taking fiction and narrative non-fiction up to 5000 words for New Voices. Emerging writers. Pays $.10/word up to $200.

Nightmare Magazine has opened to fiction submissions. Horror and dark fantasy. 1500-7500 words. Pays $.06/word.


MicroHorror is holding a micro-fiction contest. 666 words maximum. Deadline October 31. Prizes not yet announced. Publication for all publishable stories.

Of Interest:

This being Halloween week, I thought I'd pass along a Flavorwire article on The 50 Scariest Short Stories of All Time, by Emily Temple. Thanks for passing this along, DeAnna! The best part about this list is that it links to where you can read some of these stories for free online. So go read some scary short stories!

And here's a Short List of 20 Things You (Probably) Didn't Know About Stephen King. What scares the King of Horror?

Any of these of interest to you? Anything to add or share? Publication news? Are you considering posting for IWSG next week?

May you find your Muse.

Monday, October 27, 2014

MHC and Marketing

I attended the annual Mile Hi Con up in Denver this weekend. This was my third year attending. It didn't seem as busy to me as it usually is, which was pleasant, though probably not for folks trying to sell books, artwork, and other products. I didn't run into many of the interesting characters I've run into in the past, which was odd, but there were still plenty of costumed folks.

This year I focused more on fun than on the learning aspect. Yes, I still attended panels, but not as many as I have in the past. One I attended was on the future of the publishing industry, but all four panelists basically agreed on what was going to happen (traditional publishing won't die, but it will be diminished, and e-books are The Thing for the future.) A panel who all agree is dull. There was a side conversation that began that raised interesting questions, though, and that was how to find ways to assure readers a self-published book is quality. Reviews on Amazon and Goodreads have been bought in the past, and the argument we've all heard about self-publishing is that the original gatekeepers in the form of agents and editors are lacking when someone self-publishes, and sadly, the bad creeps through with the good. So how do we reassure the reader that this book they're considering buying is good, outside of reviews that might not be trustworthy? Will there be a professional organization set up to do this? To provide a guarantee that there was a thorough editing job?

Another panel was on world building. It was helpful to hear the approaches different authors take to it. Do you build your world first? Is the story contingent on your world, the world contingent on your story, or a combination of both?

There were several panels I was disappointed with or bored by (or both,) so I won't mention those here. Then there were several I liked that weren't intended as learning ones to begin with, such as my friend Patrick's podcast and a Meet the Toastmaster one, where her critique group presented with her. There was some good discussion of critique groups, and it was good to see one where the members have all found some manner of success (some of them quite a bit.) Our critique group has really just begun, and we all aspire to be in the same situation as this critique group.

All in all, I had a great time with friends, including two I shared a room with this time. I finally got to see the midnight showing of Rocky Horror Picture Show. I've seen the movie multiple times, but never with a bunch of a people. Plus, we got to introduce two people to the movie for the first time, which is always fun.

Question mark by Mohamed
Ibrahim, shared by Gayane
Since Mile Hi Con is all about panels, I figured I'd ask a question of you guys related to a panel I've set up for the November Write Brain this month (a free monthly workshop put on by Pikes Peak Writers.) It will be a panel on marketing, author platform, and book launches. I'd like to have questions prepared in case the audience doesn't ask enough. What questions do you have on marketing, platform, and book launches? If I end up asking one of your questions, I'll post the answer here for you, as well (or, if we record it, I will post a link once it's ready to go, so you can see the panel.)

The panel is November 18, so if you think of questions before then, post them in the comments and I'll keep track.

Have you seen Rocky Horror with a group of people? Have you seen it at all? Love it or hate it? What questions do you have about marketing, launches, and platform? How do you feel about "quality checks" being put in place for self-published books? How do you do world building?

May you find your Muse.

Wednesday, October 22, 2014

Tree of Life Book Trailer & Links

Today's [Mostly] Wordless Wednesday is the Tree of Life book trailer!

You can purchase Tree of Life, which includes my story set to the musical piece Turning Point, at Amazon. Only $.99 for the collection, and all proceeds go to the Downey Education Fund, which was set up for Tina's boys.

Now for some links.

Accepting Submissions:

River Styx is accepting submissions by mail through November 30. They accept short stories, poems, plays, and essays. Payment is in the form of cash, plus contributor copies, plus a one-year subscription.

Wolf Willow Journal is accepting submissions for their winter issue, with the theme star-crossed lovers. They accept flash fiction, short fiction, non-fiction, photography, and artwork. Pays cash depending upon type of submission. Winter issue deadline November 30.

Vine Leaves Literary Journal closes for submissions to their January issue November 30. Prose and script up to 800 words, poetry, artwork and photography. Pays 3.50 EURO per edition.

Bad Dream Entertainment is open to submissions of short fiction, novellas, novels, and articles. Submissions close November 30. Dark speculative fiction. This is a paying market.

ZYZZYVA is accepting submissions of non-fiction, short fiction, and poetry through November 30. Also, artwork. Payment is not detailed, and they only accept mailed submissions.

The Future Fire is seeking short works for their anthology, Accessing the Future. Deadline November 30. Speculative fiction. 2500-7500 words. Pays $.06/word.

The Knicknackery is accepting poetry, short fiction, non-fiction, and artwork. All genres. Token payment.

Cracked is looking for writers for their humor site. Paying market, though payment is not specified. Cracked is free to read, so you can research the types of articles they accept.

Strange House Books is accepting your weird flash fiction for Strange Story Saturdays. Pay is not detailed. Open submissions.


The Hermaneutic Chaos Literary Journal is holding their first annual Jane Lumley Prize for Emerging Writers. Deadline November 30. This year entries must be poetry. It will alternate each year between poetry and prose. First prize is $300 and publication.

What do you think of the Tree of Life trailer? Any of these links interest you? Anything to add? Publication news?

May you find your Muse.

Monday, October 20, 2014

Lizzie Lilac and the Left Socks Book Tour & the Survive & Thrive Blog Hop

If you're here for the Survive & Thrive Blog Hop, my entry can be found below Lizzie Lilac and the Left Socks.

Today I welcome Cheri Chesley and K.C. Rose. Their children's book, Lizzie Lilac and the Left Socks, released this month. Welcome, ladies!

Authors: Cheri Chesley &  K.C. Rose
Book Title:  Lizzie Lilac and the Left Socks
Book Genre:  Children's Books
Release Date: October 2014
Tour Host: Silverbow Promotions

In honor of all breast cancer survivors, warriors, and those they’ve left behind.

A few years ago, K.C. Rose and I got some devastating news: a sweet friend and mother had an extremely aggressive form of breast cancer. Since I had just launched my first novel into the world, I decided to donate all my royalties for a period of months to the family to help them fight this horrible invader. But it wasn’t enough—we knew we could do more. That’s where the concept of the Lizzie Lilac book was born. This book is not only dedicated to our friend (who is now cancer free!!) and her family, but also to all the families who struggle with this disease. K.C. and I make no profit from sharing this story—everything we raise will go to the Huntsman Cancer Institute in Utah to help them help others.

Thank you for being part of our fight. 

Poor Lizzie Lilac. When one of her favorite socks goes missing, she is determined to find out where all the missing socks go. What she learns is definitely more than she expected.

You can purchase Lizzie Lilac and the Left Socks at Amazon.

About the authors:

Cheri Chesley believes in miracles and the magic of books in everyday life. When not writing, she can be found reading the dictionary for fun or devouring any of the many books in her library. She lives with her husband and numerous children in Waurika, OK. Look for updates on her latest works at

K.C. Rose is the pen name of one of Cheri Chesley’s lovely daughter, who currently enjoys reading books about fairies, writing stories, singing, and performing. She lives with her family and was the guiding inspiration for Lizzie Lilac and the Left Socks—including coming up with the concept, naming characters, and approving all rewrites.

The Survive and Thrive Bloghop is hosted by Stephen Tremp, Michael Di Gesu, Diane Wolfe, and Alex J. Cavanaugh. And it's meant to bring awareness of disease prevention and early detection regarding medical conditions that may be averted or treated if caught in the early stages.

What I'd like to talk about is heart attacks in women. Why just women? You'll see in a moment. 

The symptoms of a heart attack have been fairly well publicized in the past. These symptoms include:

  • Chest pain, usually in the center of the chest, that lasts more than a few minutes
  • Pain in other areas, such as the arm, jaw, back, neck, and stomach
  • Shortness of breath
  • Other symptoms, such as cold sweat, nausea or lightheadedness

Chest pain and arm pain are the two symptoms we hear most about. What they weren't discussing a decade ago, and which I haven't noticed being mentioned these days either, is that women's heart attack symptoms are often outside the normal symptoms mentioned for men. Women often don't suffer the chest pain as a primary symptom. Instead, they will frequently experience flu-like symptoms, including:

  • Pressure or pain in the abdomen
  • Dizziness, fainting, lightheadedness
  • Upper back pain
  • Extreme fatigue

Just over a decade ago, I was putting together a huge surprise party for my parents' anniversary. I'd secured the venue after much research, and I had friends and family flying out from Oregon and California to take part. I called my grandma (my mom's mom) to see if she'd be coming out, as well. Her voice was weak. She told me she wasn't feeling well. She thought it was the flu shot she'd just gotten, and she asked me to call her the next day. 

When I called her the next day, she still sounded awful, but she said she'd been to the doctor the day before, and they'd told her she was dehydrated. They shored her up with some I.V. fluids and sent her back home. She said she was just so tired and weak, that her stomach was upset, and that she was having "stomach issues" (code words for her for diarrhea) and nausea. They told her she'd feel better the next day. She told me she'd call back when she felt better and let me know if she could make the party.

I had to stop by my parents' house the next day. I drove up and parked, but before I could get inside, my mom ran up to me. She'd gotten a call from a hospital in Oregon. My grandma had suffered a heart attack. A friend of hers had shown up when she didn't hear from her, as they'd had plans, and she'd found her on the floor, too weak to move. We were told it was bad, and that we should get out there immediately to say goodbye.

My mom and I flew to Oregon from Colorado that night. My mom's terrified of flying, and our big plane only took us to Portland. We had to get a tiny plane to take us to the mountains, where my grandma lived. (If you've not ridden on a prop plane with someone terrified of flying, you haven't experienced flight.) Her friend picked us up at the little mountain airport and took us directly to the hospital. There, the doctor told us she had suffered multiple heart attacks over the course of three days, and that her heart was in shreds. She wouldn't make it. 

She was conscious and able to talk to us. We slept on chairs in her room that night, as it was late. The nurses slipped in a couple times and put heated blankets on us because it was freezing cold in the room. The next day, my grandmother requested we take her home so she could die in the house she and my grandpa had built. 

In the end, she only lived a few more days, but she lived those final days on a hospital bed in the living room of the mountain home she loved. My mom and I cared for her, and were able to spend those final days with her. My uncle and aunt were able to come up to be with her the last two days, as well.

The truly unfortunate part in all this is that, not only were the symptoms of a heart attack overlooked, but her doctor had taken her off Atenolol, a heart medication she was already on for known heart problems fairly recently, due to surgeries she was having. A simple checking of her medical records should have shown this, and she should have been put back on it after the surgery. Where the error occurred, who knows. Did her doctor not write that he'd taken her off the drug? Did the emergency doctor not check through the records thoroughly? Either way, with a woman in her 70s, it should have been a consideration. Sadly, the chest pain didn't set in until it was too late. Ultimately, she did report pain that felt like an elephant sitting on her chest, but it was close to the end when that occurred. (Her words about this not long before she died later caused me to burst into tears during the movie Something's Gotta' Give, when he reports it feeling like an elephant on his chest.)

Had they treated her for a heart attack after the first one, instead of telling her she was dehydrated, I'm told there was a chance she could have survived. But after three, she stood zero chance.

Make sure the women in your life know that the classic movie symptoms may not be true for them. Especially if they are at known risk for heart problems. The American Heart Association has a lot of good information. Personally, I also recommend knowing what meds they're on, and following up if the meds get changed. It could make a difference.

Thank you again to Cheri and K.C. for stopping by on their blog tour. Be sure to sign up via the Rafflecopter giveaway. And take care of yourselves and your loved ones!

May you find your Muse.

Friday, October 17, 2014

Horror List Book Review: Drawing Blood

Remember my post about working my way through the Nightmare Magazine's Top 100 List? (Plus another list, and now we've found another list with more recent books on it. You'll find my updated list of books read from each list at the end of this post.)

The first book I read was Poppy Z. Brite's Drawing Blood, because that's the first one I found at the library. I also thought I'd already read it, but it turns out I hadn't.

First, let me say that I enjoy Brite's writing. I already knew this from having read other books by her. She writes dark, lush, fertile words, setting scenes that are simultaneously putrid and beautiful. Her characters are fully fleshed out, not the cream of society, but relate-able.

Despite the characterization and rich words, it was slow going for me, and took me awhile to get through. I kept waiting for the horror. It does start with a bang (or a pow...a slam?) when the main character's father murders his family, leaving Trevor alive, then kills himself. Then it segued into a romance between the two main males in the story, Trevor and Zach. I kept waiting for the scary stuff to begin, but it didn't come around until about 50% (on Kindle) of the way through the book. Even then, it was few and far between. One scene here, with something minor. Another here, maybe escalated a little. Quite frankly, there was more sex than there were scares. There were also far more joints smoked than chills given. I tired of reading about them getting stoned, taking shrooms, etc. Especially when one of them did so with a concussion, while on the run from the law. Really?, Wendy Owens & Netalloy
It simply didn't do it for me. The scares weren't all that scary. They were dark, yes, but not frightening. This is a haunted house story on the one hand, psychological horror on the other, but neither is as developed as I would have liked to see it. It was more character driven than plot driven, by far, which could have lent itself to the psychological aspects. But it didn't. Following a man who is crawling into the recesses of his dead father's mind to find out why he spared his life and left him behind could have been blood curdling, but it fell short. I wasn't drawn into that portion of the story. And the haunted house? Meh. There was only one time anyone really felt in jeopardy from spirits, and it was fleeting.

One other problem I had was the ease with which the unusual was accepted. Zach accepts everything he's told. His boyfriend tries to murder him, and he instantly buys the reasoning behind it and calmly deals with it. This is someone he's just met. Furthermore, each person they tell about the events occurring buys them instantly. I didn't find that believable.

All I can conclude is that it made the list for the beauty and depth of the writing, not because it's particularly scary. It was cotton candy--pretty, with good elements, but not filling. It's worth a read if you're okay with the explicit sex scenes, but if it's fright you're looking for, well, let's just say I read this in the dark while my husband was on a business trip, and it didn't faze me in the least.

Note: I should point out that this was only her second book, as far as I'm aware. I'm sure she's improved quite a bit since then. Still, this is one of the books that made the list.

Updated list of books I've read from the THREE lists:, Ted & OCAL
American Psycho
The Bad Place
Bag of Bones
Best New Horror, 1st Edition
The Complete Tales and Poems of Edgar Allan Poe
Drawing Blood
The Exorcist
Floating Dragon
Flowers in the Attic
The Girl With the Dragon Tattoo
Grimm's Fairy Tales
The Haunting of Hill House
Heart-Shaped Box
I Am Legend
Interview with the Vampire
Jurassic Park
The Least of my Scars
Lord of the Flies 
Lost Boy Lost Girl
Love in Vein
Needful Things
Night Shift
Odd Thomas
Pet Semetary
The Picture of Dorian Gray
Red Dragon
Rosemary's Baby
Salem's Lot
The Shining
The Silence of the Lambs
Skeleton Crew
Something Wicked This Way Comes
The Stand
Sunglasses After Dark
The Vampire Lestat

Have you read Drawing Blood or any work by Poppy Z. Brite? What did you think? Did you check out the new list to see what you'd read on it?

May you find your Muse.

Wednesday, October 15, 2014

A Muddy Pig is a Happy Pig & Links

Further to the autumn season pictures, I've got pictures from a harvest festival we attended at Rockledge Ranch last week. This was just a piece of antique farming equipment in a field that I thought was cool.

The kids and I watched a pig meticulously digging a hold in the mud, much like a dog pawing at its bed to get it comfortable. In the end, the pig immersed itself in the mud and let out a contented sigh, again like you'd hear a dog make when it settles down for a nap.

Awwww, comfy.

Now for some links.

As always, please bear in mind that I'm not personally recommending any of these links. I am merely passing along information I've come across that I think might be helpful to others. Always do your due diligence before submitting to a publication or contest.

Accepting Submissions:

Everywhere Now Press is looking for your poems, creative non-fiction, memoirs, and essays on death for their anthology Death Where the Nights Are Long. Deadline November 1. Pays $250 on acceptance, another $250 at publication.

Unlikely Story is doing a bonus mini-edition in addition to it's usual three editions each year. This one is the Journal of Unlikely Coulrophobia. Don't know what that is? It's the fear of clowns! (I love clowns.) They're calling for flash fiction up to 1038 words. Reading period closes November 1. They pay $.06/word.

Ticonderoga Publications is seeking speculative fiction stories about kick-arse women for their anthology Hear Me Roar. 2500-7500 words. Deadline November 5. Pays AUS 2.5 cents/word, plus two contributor copies. Open world-wide.

Sky Warrior Books wants dragon stories The Dragon's Hoard anthology. Sci-fi or fantasy, as long as there's a dragon. Deadline November 15. Pays in author share. 

Ruminate Magazine is reading for their spring issue through November 15. They are only taking poetry, visual art, and reviews for this issue. Pays $15 for poetry and artwork, and $15 per 400 words for reviews.

Martinus Publishing is open for submissions to their We Were Heroes anthology. 1500-10,000 words. Pays in royalties. This anthology is open until filled.

Writers Weekly seeks articles on making money as a writer for and The Write Markets Report. Approximately 600 words. Pays $60 per article.


Bold New Worlds is a speculative fiction short story contest for high school students. 1000 words or less. Deadline November 10. Cash prizes.

The Lindenwood Review is holding a flash fiction contest. Deadline November 15. 50-750 words. Winner receives $50, publication, and contributor copies.

Blog Stuff:

The 2014 Realms Faire is coming up, and M. Pax needs your help. November 10-14. Various people are hosting parts of the Faire. It's meant to get you exposure/visibility. There's the Joust, the Soak-a-Bloke or Drench-a-Wench, the Stockade Brigade, Dueling Bards, Riddle Me This, Phasers, Dragon Hunt, and Wisdom of the Creative Realms.

Have you hit any harvest festivals? Have any good ones in your area? Any of these links of interest to you? Anything to share? Publishing news?

May you find your Muse.

Monday, October 13, 2014

Open Mic & Guest Post on Utilizing Senses in Your Writing

This weekend my writer's group, Pikes Peak Writers, put on some extra programming to take part in Arts Month. On Saturday, we had teen improv, then that evening we held an open mic night, where we encouraged writers to come out and read their work. We had good attendance at both, and they proved to be fun.

Now, I am not a person who's comfortable with public speaking. I force it because I run writing events, so kind of have to be up there. I really didn't want to read, but a few friends convinced me to. It was worth it, despite the fact that I think my face was flaming red the whole time (it felt warm, but who knows if it was visible). It was a kick hearing reactions from the listeners. And though it was not for feedback, I got some great extra feedback from an attendee I respect, so that was worth it, as well.

One thing I do enjoy doing is giving workshops, though I'm still a nervous wreck. I find this less personal than reading my own work or just being myself in front of people. I have one coming up next weekend, though it looks like it may be cancelled for not enough attendees. We've had some cancellations and several members (this is for a different writer's group--Pen Women) who usually come to the meetings are out of state (and country) or have something else going on already. I've noticed that this has been a busy month for a lot of folks. Unfortunately, there's a minimum attendance for the location it's at, and we're not there yet with the RSVPs we have. I'm finding it hard to take time for continued prep when it may very well be cancelled as of tomorrow.

Back to open mic. If you ever have the chance to participate in an open mic, I highly recommend you try it. Not only was it fun listening to everyone else read their pieces, all of which were good, but like I said above, it was nice to get that live feedback from other attendees as I read. It's a great way to see what's working and what isn't. Give it a try!

Okay, onto our guest poster. Have you ever read a story that left your senses tingling? Those authors who use sense description tend to create stories you can feel, smell, and taste, not just see and hear (the two most common senses described in writing.) Today, Nikolas Baron from Grammarly stops by to discuss:

Image by Gina,

Why Utilizing Your Senses Enhances Your Writing

When you read about a new recipe, what makes you want to put down the Cheetos and bake that pretzel bun? Was it that it only took twenty minutes? Or was it because the description was so inviting, delectable, and appealed to your senses? You wanted something crunchy, salty, and yeasty. You wanted something that smelled like a German restaurant. When you write fiction, using your senses adds an extra layer that traps the reader like the scent of a freshly baked loaf of bread.

Scientists say that our most memorable moments from our lives are linked to smell. We remember the fresh paint of our little brother’s room before he was born. The rubber cement we used to make posters in elementary school. Our Nana’s meatball recipe. If you can sit and write down all of your favorite memorable smells, and incorporate them into your story, you’ll be well on your way to inviting your reader on your story’s journey.

Senses are the best way to show the reader rather than tell. When you show, you give the reader the tools to figure it out on their own. When you tell them everything, your writing is not only weak, but lacks the depth of creating a viable scene.

What if I wrote something like this: I walked into the door of the old cabin that was made out of pine. There were pretzel buns on the table and it was raining. I looked for my old blue hat but couldn’t find it anywhere so I traced the countertop with my finger. I saw a bluebird outside and it chirped quickly.

In comparison to this: I ran into the old cabin slamming the door behind me. I shook off water droplets from my jacket and leather hat while breathing in the salty, yeasty air of the kitchen. The moss wept outside while bluebirds called to each other for help. I snagged a hot pretzel roll off the counter and swept the crumbs off the cool butcher-block counter onto the floor.

See, touch, hear, taste, smell. There’s a lot more punch in the second paragraph than the first. You can tell it’s raining, notifying you of the smells and sights. You can see and hear the birds chirping. You smell the fresh baked rolls and touch the cold countertop. You taste the warm bread and touch it’s crusty outside. There’s so much more to learn from the second paragraph where you show the reader with their senses rather than telling them with no interaction. Readers want to be transported when they read a story. If you fail to appeal to the senses, there’s no way for them to full immerse themselves in the story.

One of the ways I like to incorporate the senses into my writing is by proofreading. When I go back through my story, it’s easy to see where I can improve and where the sense descriptions are weak. I also like to use the website Grammarly to help me proofread. Grammarly suggests helpful synonyms that are context-optimized to my style and story. It can help me improve the quality of my senses descriptions while also cleaning up my grammar and punctuation mistakes.

Incorporating the senses into your writing helps to transport the reader to the land you’ve created with your writing. It enhances their experience within the story and allows them to connect. Think about all of your strong memories. There are tons of sights, smells, touches, sounds, and tastes.

Think about the last time you ate your Dad’s famous chili. How long did the smell stay in the kitchen? How did it taste? Did it burn your mouth? Did you see him smile while making it? Did the pot boil and splash? From all of those senses, you can produce a very accurate and impressive description of the scene. Something readers can imagine and relate to. Try to incorporate using senses into your writing and see the difference. Read up on those who write excellent sense descriptions. Your readers will thank you.

By Nikolas Baron

Nikolas discovered his love for the written word in Elementary School, where he started spending his afternoons sprawled across the living room floor devouring one Marc Brown children’s novel after the other and writing short stories about daring pirate adventures. After acquiring some experience in various marketing, business development, and hiring roles at internet startups in a few different countries, he decided to re-unite his professional life with his childhood passions by joining Grammarly’s marketing team in San Francisco. He has the pleasure of being tasked with talking to writers, bloggers, teachers, and others about how they use Grammarly’s online proofreading application to improve their writing. His free time is spent biking, travelling, and reading.

Personally, I recommend Barb Samuel. Her book "How to Bake a Perfect Life" is full of comforting sense descriptions you can get lost in. Does anyone else have a book or author they'd recommend for studying the use of sense description in writing? Which sense do you use the most? Which scent do you use the least? Have you read at an open mic before? Just attended one? Would you attend one if it were offered? 

May you find your Muse.