Wednesday, August 17, 2022

WEP - Moonlight Sonata - The Special Place


The Special Place

Tagline: Sometimes you need to get away for a bit to find some peace

Carol Anne crept through the reeds, her shoes squelching in the mud and shallow water. A twig snapped behind her, and she froze. Her feet sunk into the marshy ground, water seeping through her shoes. At least sinking was quiet. 

It was dark out here in the marsh, the moon not yet high enough to lend her much light. After a moment where no other sound occurred she continued on her way. She exhaled her held breath as she yanked first one foot out then the other. Mud sucked greedily at her sullied shoes, but relinquished each foot after a hesitation.

From a nearby tree, cicadas set up their raucous chatter. They'd let her know if someone was following her.

Soon, she was far enough to the east to step on solid ground and skirt the marsh. It felt strange to feel a steady surface beneath her. The squishy ground had eased the pain in her ankle a little, but now it throbbed from the workout and the hard impacts.

He hadn't meant to hurt her. It just happened.

She reached across her chest to gently press the bruise on her upper arm. Even though it wasn't visible in the darkness, its precise shape was burned into her mind. All five of his fingers were visible in the deep purple and black circling her upper arm. 

Another accident.

He always told her he was sorry. Not right away, but later. He made it up to her. Cruelty wasn't in his nature, but he was tired, stressed. He wasn't himself sometimes.

A small part of her knew this as the nonsense it was. After all, hadn't she seen cruelty in his eyes, the set of his mouth? She could tell the exact moment where his actions went from unconscious to purposeful. The moment he realized he was hurting her and squeezed a little harder.

This time, he'd kicked at her foot to trip her up, but he'd hit her ankle instead. The pain had blossomed, sharp at first, then subsiding to a dull ache, spreading up her leg and down her foot. He'd caught her before she could fall, grasping the meat of her upper arm.

That was when she'd seen it.

His eyes had narrowed, a hint of a smile twisting lips that could be so soft during the good times, making them look hard and, yes, mean. He'd thought about it before he squeezed. He'd held her eyes with his so he could watch every aspect of her reaction as his fingers tightened. 

She'd fought back, wrenching at his fingers and finally kicking him in the shin. She'd meant to kick him in the knee, but it was hard to aim when you were wrestling someone a good one-hundred pounds bigger than you. And whereas her weight was soft, his was all muscle, solid to the touch.

He was so angry he punched her in the face. That was something he never did. Marking her face was a mistake.

Carol Anne raised tentative fingers to her eye socket, felt the solid puff of the swelling there. It felt like something was broken, shifting around under the skin. It had sounded that way, too. She'd never heard a crunch quite like it.

The ground shifted once more. Lush grass softened her steps, a cushion between her pain and the soil. She was nearly there.

This time was different. She'd had enough. 

After he punched her in the face and knocked her to the ground, he stormed away, kicking a chair away from the kitchen table on his way past it. He went out the door to the backyard. The door had swung around and slammed closed behind him. It spoke of finality. A finality that woke her up.

While she waited for him to return, she cooked dinner. She was limping heavily and could barely see through the damaged eye, but she prepared his favorite grilled cheese sandwich, setting a handful of potato chips on the plate with it. There was a can of tomato soup, so she made that, too, throwing in a couple stale croutons and a pinch of shredded cheese. It all went to his place at the table, along with a glass of milk so cold bubbles frothed on the surface. She set his chair back upright.

With everything in its place, she left through the front door. He'd be in his shed, but she didn't want to chance him seeing her.

A slight hill stood before her. At the top was her special place. It took her longer to climb than usual, the pain in her ankle hindering her some, but she made it. Just as she reached the crown of the hill, the moon rose enough to push glowing fingers between the willow's fronds, illuminating the stump on which she liked to sit. Using her good arm, she pushed the branches aside and disappeared into the safety of her special place.

Settling on the stump, she breathed a sigh of relief at taking the weight off her ankle.

She closed her eyes and listened to the frogs singing their moonlight sonata in the marsh, joining with the chorus of the cicadas and other night insects. 

She wondered if he'd drunk the milk yet, and whether he would be a problem anymore.

887 words, NCCO

Thursday, August 11, 2022

September Submission Roundup

I'm a day late, but the roundup is here!


Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting. 

Accepting Submissions:

Inked in Gray is seeking speculative fiction short stories with the theme "Joy is Resistance" for Reclaiming Joy. Up to 8000 words. Pays $45. Deadline August 30.

Wyldblood Press is seeking fantasy short stories involving the sea for From the Depths. 1000-12,000 words (sweet spot is 3000 to 5000). Pays .01 pounds per word. Deadline August 31.

Bert Edens is seeking horror stories based on Alice Cooper's songs. 3000 to 5000 words. Pays $25 with proceeds going to Alice Cooper's charity Solid Rock Teen Centers. Deadline August 31.

Apparition Lit's brief submission window will be open soon. Speculative fiction and poetry with the theme "Nostalgia." 1000 to 5000 words. Pays $.05/word. Submission window open August 15 to 31.

Timber Ghost Press is seeking horror set in the Old West for Harrowing Trails. Up to 6000 words. Pays $10 to $35. Deadline August 31.

The Quiet Ones is seeking horror and dystopian with the theme "Nocturnal Animals." Up to 3000 words. Pay $25. Deadline August 31.

Input/Output Enterprises is seeking vampire horror for And the Dead Shall Sleep No More. Up to 6000 words. Pays $15. Deadline September 1.

Writers Victoria is seeking fiction and nonfiction with the theme "Unravel." Up to 1200 words. Pays $70 to $200. Deadline September 5.

Belanger Books is seeking mysteries involving police who go to Sherlock Holmes for help for The Consultations of Sherlock Holmes. He cannot be the main investigator. 5000 to 10,000 words. Pays $100 or $50 plus a percentage of the Kickstarter proceeds (whichever is more). Deadline September 15. 

Pyre Magazine is seeking dark speculative fiction. Up to 3500 words. Pays $10. Deadline September 18. 

Dragon Soul Press is seeking dragon stories for Reign of Fire. 3000 to 15,000 words. Pays in royalties. Deadline September 30.

Mocha Memoirs Press is seeking "cybernated stories of rebellion" for Crack the Code. Up to 7500 words. Pays $.08/word. Deadline September 30.

The Bombay Literary Magazine is seeking fiction, poetry, and graphic fiction. 2000 to 7000 words. Pays Rs. 5000 (about $65). Deadline September 30.

Brigids Press is seeking gothic romance. Female and nonbinary authors only. 2000 to 6000 words. Pays $.08/word. Deadline September 30.

Any of these of interest? Any other calls to share?

May you find your Muse.

Wednesday, August 3, 2022

IWSG - Sent to the Corner

 It's August, and time for the Insecure Writer's Support Group!

Created by Alex J. Cavanaugh, the IWSG serves to give writers a forum to both seek and lend support. Anyone can join. Simply click on Alex's name and sign up on the IWSG tab!

This month's co-hosts are:

Tara Tyler

Lisa-Buie Collard

Loni Townsend

Lee Lowery

This month's optional question is: "When you set out to write a story, do you try to be more original or do you try to give readers what they want?"

I typically just write whatever comes into my head, so I'd say I try to be original. It's whatever I want to write about.

On an unrelated note (or maybe not...who knows?) I've had my first book returned. Probably I'm lucky it took this long, especially with the TikTok challenge, but it was disappointing to see in the reports on Amazon. Boooo.

Keeping it short this month. I know some of you are unable to leave a comment since whatever weird update sent my Blogger haywire. I'm trying out a suggestion from C. Lee McKenzie, so hopefully it works. Thank you for the idea either way!

I'm feeling discouraged right now with no new short story sales for a few months. But here are my July stats:

13 submissions

14 rejections

0 acceptances

16 currently on submission

That's all, folks! Hope you're having a good day.

Are you submitting? Any news? What are your insecurities? Do you write to the audience?

May you find your Muse.


Wednesday, July 13, 2022

July Submission Roundup

It's time for the monthly submission roundup! Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Augur is seeking speculative fiction for their regular magazine (Augur) and cozy SF/F stories for Tales & Feathers. They mostly take Canadian/First Nations. Up to 5000 words. Pays $.11/word. Deadline July 31.

Pikes Peak Writers is seeking short stories and poetry that takes the reader to a new world. Up to 6000 words. Pays in royalties. Deadline July 31.

Superlative is seeking short fiction with the theme "Futures." Up to 1500 words. Pays 10 pounds. Deadline July 31.

Perpetual Motion Machine Publishing/Ghoulish Books is seeking body horror stories written by transgender and nonbinary authors for Bound in Flesh. 3000 to 5000 words. Pays $.05/word. Deadline July 31. (Note that I have worked with this press before with their magazine Dark Moon Digest, and they are always a pleasure to work with.)

Black Beacon Books is seeking post-apocalyptic short stories for Tales from the Ruins. 5000 to 10,000 words. Paying market. Deadline July 31. 

Metaphorosis is seeking SF/F short stories about an interesting museum. 1000 to 8000 words. Pays $.01/word. Deadline July 31.

Three Ravens Publishing is seeking high fantasy short stories for Embers of Corsari, a shared world anthology and horror comedy short stories for It Came from the Trailer Park II. 7000 to 10,000 words. Pays in royalties. Deadline August 1.

Lethe Press is seeking dark speculative short stories about "gay sexuality, desire, masculinity, and the aesthetics of rough trade" for Brute. 2500 to 10,000 words. Pays $.05/word. Deadline August 1.

The First Line is seeking fiction, poetry, and critical essays with the first line "Lily unlocked the back door of the thrift store using a key that didn't belong to her." 300 to 5000 words. Pays up to $50.00 depending upon submission type/length. Deadline August 1.

The Last Girls Club Magazine is seeking feminist horror with the theme "Thoughts & Prayers." Up to 2500 words. They also accept poetry and flash fiction. Pays $.01/word. Deadline August 1.

Rayne Hall is seeking horror stories dealing with trains for The Haunted Train. No length restriction. Pay is flat fee of 10 Euro. Deadline August 15.

Ghost Orchid Press is seeking erotic horror fairy tales for Les Petite Morts. 1000 to 5000 words. Pays $.06/word. Deadline August 30.

Dragon Soul Press is seeking contemporary women's fiction for Life at Its Best and Christmas stories for Magick & Mistletoe. Up to 15,000 words. Pays in royalties. Deadline August 31. 

Gwyllion is seeking pulp/low-brow speculative fiction. Up to 10,000 words. Pays 10 pounds. Deadline August 31.

Eerie River Publishing is seeking dark short stories for It Calls from Beneath. 2000 to 7000 words. Pays $.01/word. Deadline September 1 (does not open for submissions until August 1). They are also taking water themed horror for their elements series. 1500 to 7000 words. Same pay. Deadline August 31.

Timber Ghost Press is seeking horror stories set in the Old West for Along Harrowed Trails. Poetry, flash, and short. Up to 6000 words. Pays up to $35. Deadline August 31.

Apparition Literary Magazine is seeking speculative fiction poetry and short stories with the theme "nostalgia." 1000 to 5000 words. Pays $.05/word. Deadline August 31 (not open for submissions until August 15.) 

War & Whiskey Publishing is seeking horror SF set on another planet for Strange Sunsets. 2500 to 7500 words. Pays $30. Deadline August 31.

Hellbound Books is seeking horror short stories paying homage to Poe for Madame Gray's Poe-Pourri of Terror and space SF horror for Hellbound Sci-Fi. 3000 to 8000 words for Poe and 4000 to 10,000 words for Hellbound. Pays $5. Deadline September 1. (I've been published with this market and had a good experience, but please note that they don't always send out rejections, as far as I know.)

Head Shot is seeking noir short stories for Bang! 2000 to 8000 words. Pays 10 pounds. Deadline September 1.

Orion's Belt is seeking SF stories. Up to 1200 words. Pays $.08.word. Deadline September 1.

Taco Bell Quarterly is seeking literary fiction, poetry, and more that involves Taco Bell in some way. 500 to 1500 words. Pays $100 per piece. Deadline September 5.

Any of these of interest? Any open calls to share? Are you submitting?

May you find your Muse.

Wednesday, July 6, 2022

IWSG - Writing and Mental Health

It's time for the July edition of the Insecure Writer's Support Group!


Created by Alex J. Cavanaugh, the IWSG is a space for writers to voice their insecurities and get support from their fellow writers. Anyone can join. Simply click on Alex's name and sign up on the link list.

The co-hosts this month are J Lenni Dorner, Janet Alcorn, PJ Colando, Jenni Enzor, and Diane Burton. While you're bopping around to visit fellow IWSGers, be sure to say hi to the co-hosts and Alex!

The optional question this month is: If you could live in any book world, which one would you choose?

I kind of wish I was in Oz right now. At least there evil people can be dealt with fairly. In Oz, there are evil beings, but everyone knows who they are. That last part seems to make a difference. Also, there didn't really seem to be disease there. Then again, it's been a long time since I actually read the books, so it could be I didn't remember those things.

Things weren't all rainbows and sprinkles in Oz. I do remember that. But it was still a place to escape as a kid. Return to Oz isn't anywhere near as popular as The Wizard of Oz, but I always loved it. It spoke to that part of me who is healed by seeing the darkness be overcome. In the beginning, Dorothy is in a...we'll call it a mental health facility. I seem to recall some electroshock, perhaps? While evil witches trying to kill little girls and their dogs is freaky, as are flying monkeys, and, most of all, being far from home with no idea how to get back, the beginning part of Return to Oz (and much that followed) always stuck with me. The princess (?) who could change heads, the wheelers, and people being turned into ornaments and decorations if they didn't play a game right.

I don't remember exactly why the beginning got to me so much. Perhaps because this time Dorothy's family had purposely sent her away. They hadn't believed her, had thought she was sick, and they'd sent her away. Why wouldn't that disturb a child?

This springboards into what I'd thought about posting today. I've never kept it a secret that I deal with depression, anxiety, and PTSD. Unfortunately, I've had a series of personal life issues that have retriggered the PTSD, so I've been struggling with that. National events have likely compounded it, as what I think set it off was a sense of helplessness. I don't handle being helpless well. I'm a person who prefers to take things into my own hands and fix them. I'm good at fixing things, but some things cannot be fixed.

What does this have to do with writing? I've seen a lot of friends in the writing world suffering from mental health issues lately. The world is a rough place to be right now. If not all, then many of us are suffering from the drastic life changes that came about from a worldwide pandemic. Our lives changed in myriad ways during this, whatever the reasons, and as humans, that requires coping mechanisms. It also often means that there will be ripples, even if we don't know where those ripples originated or how far out they'll go. 

Often, impactful situations can hurt our creativity. Even if it doesn't touch our creativity, it may hurt our mental and emotional energy. It turns out we need both of those things to write. I know that I struggle to write when things are hard. While a handful of people were posting about all they were getting done during the last two years, many more were posting that they couldn't write, that the words weren't coming, that they couldn't get themselves to focus on work.

I think, in general, things had started feeling lighter, better, different, and that it maybe lulled us into a false sense of security in terms of looking after ourselves. So now when we're suffering, it may take longer to realize that it's happening in the first place, let alone what personal reasons there are for it. As a result, we might try to push ourselves through it instead of taking the time to stop and care for ourselves and cope. We might get frustrated and angry that we're not doing more, meeting writing goals, buckling down, being as productive as we think we should be.

It took me a couple weeks at least to realize the PTSD was active and that's why I was struggling so much. It's not like you can take a test that magically shows something like that. After all, I spent decades suffering it and not knowing what it was. However, I also know that I tend to self-analyze so much that sometimes I can see things like this in myself faster than others might, so it felt important to send out a gentle reminder that...things aren't okay. Not for a lot of people. Don't be hard on yourself if you're not perfect right now. (Or ever, really, because many of us are always hard on ourselves). Figure out what works for you to cope with depression, anxiety, or whatever you may personally suffer from, and take the time to do those things. I know that may feel like ONE.MORE.THING you have to do. Believe me, I know. All I can say is that you're doing your best, and if you can find it in yourself to do one thing for yourself that will help, that one thing might add up and get you through it.

Take care of yourself first. The writing and creativity will follow.

Switching gears, it's time to report my submission stats for June. I do this each IWSG to keep myself accountable.

June:

0 new submissions

7 rejections (5 personal)

0 acceptances

24 stories currently on submission

So how are you doing? What are your insecurities? Are you submitting? Are you taking care of yourself?

May you find your Muse.



Wednesday, June 29, 2022

Media Roundup, New Release, & YouTube TV

Well, between the issues I was having with Blogger and some personal life things, I didn't end up posting the last two weeks, which I find a bit frustrating since I was back in the rhythm of posting consistently and visiting blogs. Oddly, Blogger seems to have fixed itself after I threw my hands up and ignored it for two weeks. I guess we'll see. But it's keeping me signed in again, which it wasn't doing for a while, and it appears to be keeping me signed in when I visit others. Yay? I'll celebrate when it stays consistent. ~gives Blogger the hairy eyeball~


I had some news to share during my unintentional hiatus! My mystery short story "The Class Ring" came out in the Unsettling Reads anthology Summer Bludgeon! It's a nice, thick book with stories from some awesome people, and it's mystery, so those of you who don't like horror would enjoy this one!


Summer Bludgeon is available from Amazon.

I was also featured on Between the Covers, a sort of talk show for authors produced by Red Penguin Books. My fellow guests were Susan Cole and Amy Bernstein, and our host was Stephanie Larkin.


I was also a showcase author at Mountain of Authors, a program put on by my local library district (Pikes Peak Library District). The keynote was Craig Johnson. He's always a great presence, very laid back, but also personable, and he tells a great story. This was the first writing event I ever intended when I decided to start really doing it, and I have a special fondness for it. It was nice to have this bit of normalcy return after being canceled for the last two years.


I was also supposed to be part of a group book launch for those of us who had released books during the pandemic shutdown, but...I got COVID. Ironic, eh? I made it through two big writing conferences without getting sick, even after people I hung around tested positive, but it took my son coming home at the end of the school year with it for it to spread through our house. Oddly, it was a bit of a relief to finally get something we'd been avoiding for two years. Though now I've heard that the latest versions of Omicron don't actually give you immunity when you get them, so I'm feeling pretty disgruntled about that. I'm just glad we didn't get sick until things had calmed down. We also managed to keep my daughter from getting it, though the rest of us did, which was a relief, as she's prone to pneumonia, and I was really worried about what COVID might do to her. I'm grateful we seem to have weathered it okay, though my husband has a bad, lingering cough. 



Okay, media roundup time! These are some of the standouts of my media intake for the last month or so.

Books

The Sanitorium, by Sarah Pearse


An old sanitorium has been converted into a fancy hotel, but after it opens people start disappearing, with at least one body turning up. A massive snowstorm traps the staff and a couple guests in the hotel after an avalanche takes out the road. Trapped with a killer, an inspector on a dramatic break from her job must figure out who the killer is and what they want before they kill her or someone close to her. Great sense of desolate isolation. There are many secrets slowly revealed over the course of the book. Solid suspense.

The Between, by Tananarive Due


After witnessing his grandmother die then come back to life in his childhood, a man starts having weird dreams and reality seems to shift around him. As he fights for his sanity, and possibly his life, he must also deal with the man stalking his judge wife, who seems to want to destroy the entire family. Great tension that leaves you guessing whether he's crazy or if his world is really shifting the way it seems to be. I thought there were too many dream sequences (not my favorite), but it wasn't enough to deter me from reading the book and overall enjoying it.

Movies

The Man From Toronto - Netflix


Woody Harrelson and Kevin Hart. How could it be bad? It isn't! I enjoyed this quite a bit. Kevin Hart is a man in the wrong place at the wrong time. Now the bad guys think he's the go-to guy to torture information out of suspects. But he's not the Man from Toronto, Woody Harrelson is, and Woody's now got Hart's character on his radar. It's goofy, and there's a hysterical scene that I can't describe because I feel I'd give something away, but it's definitely worth a viewing when you need a laugh.

TV

Snowflake Mountain - Netflix


Okay, so it's "reality" television, but there's something satisfying about seeing some of the most entitled, bratty, twenty-somethings have to learn how to do things for themselves. There's one who seems beyond help, but the others appear to be trying. Good for mind numbing entertainment. These kids have been voluntold by their parents to go to a rugged camp with outhouses and tents. So far, they've had to find their food, dress a deer, learn to cut down trees, etc.

The Boys - Prime


The new season is running on Amazon. I've been looking forward to Jensen Ackles (Supernatural) joining the show, but it's been an odd introduction to him, so far. The boys are back together, but there's strife between them, and trust is hard to come by. They think they've found the ultimate weapon against their apparently unbeatable enemy, but the joke's on them. Plenty of intrigue and tension. There are always tons of things that go wrong, no matter how well they try to plan for it. And the surprises keep coming. It's dark and gritty, but they make sure you can figure out from the first episode of each season if it's the type of show for you or not.

What have you been watching? Any good books read lately? How are you doing on your reading goals for the year?

May you find your Muse.


*Image - Angry Eyes, clker.com, OCAL

*Image - Swoosh Blue MD, clker.com, OCAL

Wednesday, June 8, 2022

Visits & Submission Roundup

Okay y'all, I've had to download Mozilla Firefox to do it, but I think I can finally visit other blogs and comment on them (and respond to comments on my own blog)! As far as I can tell, unless others are having issues with blogger, too, my issues are stemming from adding work accounts and keeping my Google Drive access to them open. Which I've had to do before, without having these issues, but that was before I was using the newer Office setup that keeps me online.

Anyway, whatever the issue, I *think* I have things back to normal as long as I use a separate browser. Fingers crossed!

I ended up getting sicker after my IWSG post, and simply didn't have the energy to work on it until now.

Moving on! 

It's time for the June and July submission roundup. Bear in mind I'm not endorsing these, merely passing them along. Always do your own due diligence before submitting.

Accepting Submissions:

Freeze Frame Fiction is seeking flash fiction. Up to 1000 words. Pays $10 per piece. Deadline June 30.

Brigid's Gate Press is seeking short stories, poetry, and drabbles in horror and dark fantasy for Dangerous Waters: Deadly Women of the Sea. 500 to 3500 words. Pays $.08/word for short stories, $50 per poem/drabble. Deadline June 30.

War & Whiskey Publishing is seeking science fiction taking place on other planets for Strange Sunrises: Tales From Distant Planets. All sub-genres, but they have a specific sci-fi horror call in the future, and would prefer horror be saved for that one. 2500 to 7500 words. Pays $30. Deadline June 30.

New Gothic Review is seeking short stories that re-imagine gothic literature for the 21st century. 1500 to 5000 words. Pays $65. Deadline June 30.

Strange Aeon is seeking cosmic horror short stories. 5000 to 10,000 words. Pays $20. Deadline June 30.

Dark Matter Magazine is seeking sci-fi horror for Monstrous Futures. Black Mirror-type stories. 2000 to 4000 words. Pays $.08/word. Deadline June 30.

Unsettling Reads is seeking fantasy, horror, and science fiction themed around winter/snow and that must feature a tree. Short stories and poems. 1500 to 5500 words. Pays $20. Deadline July 1.

The Cafe Irreal is seeking irreal stories (defined on their site). Up to 2000 words. Pays $.01/word. Deadline July 1.

Minola Review is seeking poetry, fiction, and nonfiction by those identifying as women or nonbinary. Up to 5000 words. Pays $175 per short story or creative nonfiction and $25 per poem. Deadline July 1.

Substantially Unlimited is seeking work by those who are disabled, especially focusing on invisible disabilities. Current theme is "stigma." 1 to 15 pages. Pays $15. Deadline July 1. 

Pillow Talking, a podcast, is seeking first-person narrative/creative nonfiction real-life bedroom conversations. 350 to 2000 words. July themes are "sanctuary" (July 2 deadline) and "I remember..." (July 16 deadline), but they take unthemed pieces at any time. Pays $25 AUD. 

Aurelio Leo is seeking fantasy short stories by authors of the African diaspora for Sovereign: An Anthology of Black Fantasy Fiction. Up to 39,999 words. Pays $.08/word up to 1000 words then $.01/word after. Deadline July 1.

Arelia Leo is also seeking urban fantasy dealing with elemental fire magic for From the Ashes. Same word count and pay as above, but in addition 10% of net proceeds will be donated to charities supporting burn victims. Deadline July 16.

Jaggery is seeking work by those of the South Asian diaspora. Art, essays, poetry, fiction. No specific word count. Pays $100 for fiction, $25 for all else. Deadline July 17.

Dragon Soul Press is seeking women's contemporary fiction for Life at its Best. 3000 to 15,000 words. Pays royalties. Deadline July 30.

Water Dragon Publishing is seeking speculative fiction exploring the impact of the pandemic for Corporate Catharsis: The Work from Home Edition. 2000 to 10,000 words. Pays $.02/word. Deadline July 30.

Brink Literary is seeking creative nonfiction, fiction, and poetry with the theme "reverence." No specific word count. Pay ranges from $25 to $100. Deadline July 30.

Hellbound Books is seeking splatterpunk for In Celebration of Splatterpunk. 4000 to 10,000 words. Pays $5. Deadline July 31.

Wolfsinger Publications is seeking science fiction of any sub-genre with your take on "ring of fire" for Ring of Fire. 1000 to 7000 words. Pays $15 plus royalties. Deadline July 31.

Zoetic Press is seeking poetry, short stories, and visual art with the theme "in motion" for Nonbinary Review. Up to 3000 words. Pays $.01/word for prose, $10 for poetry, and $25 for art. Deadline July 31.

Fiyah is seeking fiction and poetry by authors of the African diaspora with the theme "hauntings and horrors." 2000 to 7000 words for short stories or up to 15,000 words for novelettes. Pays $.08/word for prose, $50 for poetry, and $.10/word for nonfiction. Deadline July 31.

Sliced Up Press is seeking is seeking blood-free horror shorts stories and poetry for Bloodless. 1000 to 3000 words. Pays $30. Deadline July 31.

The Sprawl Mag is seeking poetry short stories, and visual art of a speculative nature. Up to 1000 words. Pays $20 CAD. Deadline July 31.

Are any of these of interest? Anything to add? Are you submitting? Any submission news? 

May you find your Muse.