November is
Native American Heritage Month, and in celebration I asked a friend of mine who is also Native American to write a post about her experiences with editors who weren't aware she was Native, and the issues of only dealing with someone through correspondence.
Welcome, Nicole!
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In honor of Native American History month, I’d like to cover
the difficulties of working with an editor through correspondences.
As if being Native American/American Indian/Indian, or any
other term assigned to the Native tribes of North America, weren’t difficult in
and of itself, writing about characters of the same nationality presents its
own set of problems. We, as writers, strive for accurate representation of each
person we create, no matter their nationality, religion, or political standing.
The task is daunting and requires constant research. And the powers that be
only know that there have been plenty of mistakes made!
Add in the filter of emails from editors. Someone we’ve
never met, with no knowledge of background or upbringing, reads our stories and
picks out what they think needs to be changed. Race is a touchy subject in
person, what with our melting pot of a country making it impossible to
accurately gauge someone’s actual ethnicity. But not in person? No way. So when
you get a note about calling your character Indian, that it’s an offensive term
and shouldn’t be used, especially when following the statement of not knowing
if you’re Native, it can push some serious buttons. Multiple buttons if it’s
mentioned more than once. Which it was.
I promise that I behaved. Counted to ten and all that. But
in the end I had to explain to the editor that I was indeed Native, that I’d
grown up around a family that openly called themselves Indians, and said that
as long as the person using the term was the “Indian” in question, it was
acceptable. This made me question terms and how they’re used in general. What
should matter isn’t the term itself, but how the person speaking it wishes it
to impact.
There are gray areas with any term, catch phrases,
colloquialisms, and slang that have ever existed. So no matter what, there will
be the possibility of causing an offense. But what we all should be concerned
about is looking beyond the words to the intended meaning. Writers, readers,
critics, trolls, and anyone else that would like to voice their opinion about
it.
I love being Native. I love my heritage so much that I’ve
written several pieces of fiction with Native main characters. Do I strive to
be respectful? Yes. Do I wish to keep it realistic? For sure. Will I stop using
a term because I think it may hurt someone’s feelings? No. Look beyond the
words and see their meaning and purpose. I have a duty to use my gift and
deliver stories that inspire higher thinking. No matter the nationality, I will
do my best to do right by my characters as they’re meant to be written.
Thanks for reading.
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Nicole is one-half of the team who wrote Hoofbeats.
Blurb:
After a run of bad luck, gifted horse trainer Cole Frasier
thinks he’s lost his touch. When he’s offered three times his normal rate to
gentle a stallion, he needs the money badly enough he jumps at the opportunity,
even if his boss is of questionable morality.
Once he meets Midnight Blood, he knows there’s something
special about the horse, but he doesn’t know how special until he begins
sharing dreams with the magnificent steed.
Derek Dancing Hawk is a horse shifter trapped in his horse
form due to guilt over losing the wild herd he was guarding. When he meets
Cole, as Midnight Blood, he wants to find a way to be human again. During a
fight between Cole and the ranch foreman, he manages to shift and save Cole,
but his transformation from horse to human is captured on camera. This not only
gives Cole’s boss blackmail material, but also creates the need to warn the
horse shifter council of the threat to their anonymity. The existence of
shifters is a closely guarded secret, one they will go to great lengths to
keep.
BIO: Nicole Godfrey is a writer who calls the beautiful city of
Colorado Springs home, along with her furry children. She was born in Omaha,
NE. and has lived in Florida and Tennessee. Her writing career started with
poetry at a young age, leading to her first publication at the age of twelve.
Poetry eventually evolved into the love of storytelling, and any good story, no
matter the genre, is open to her creative mind. She has two short stories
published through Colorado Springs Fiction Writers Group; A Page Lost in An
Uncommon Collection, and The Power of the Word in Remnants and Resolutions:
Tales of Survival.
When she’s not writing, Nicole actively participates in Amtgard and loves to
play table-top RPG’s. Art has also been a part of her life since a young age,
so she spends as much time as possible playing with different mediums.
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Now for some links! Bear in mind that I am not endorsing these, merely passing them along. Always do your own due diligence before submitting to a market.
Accepting Submissions:
Pulp Literature is open for submissions only between November 15 and November 30. They want diverse stories. Those under 5000 words are most likely to be accepted. Donations are accepted, but not required for submissions (they are doing a kickstarter.) All genres. Pay varies per length. Short stories pay up to $.07/word.
The Indianola Review is open for submissions. Up to 7500 words for fiction. Also take poetry, nonfiction, and miscellaneous submissions. Pays up to $50. Reading period closes December 15.
Freeze Frame Fiction is open for submissions of flash fiction for the third quarter issue. They also have a themed issue closing at the same time, with the theme "experimental form." Pays $10. Deadline December 15.
Deadlights is open for submissions of short horror fiction. Flash, short, creative nonfiction, and artwork. Up to 7000 words. Pays up to $80, depending upon submission type. Deadline December 15.
Meet Cute is an anthology of microfiction about entertaining first meetings. Up to 1000 words. Pays $10. Deadline December 16.
The Writing Piazza is open for anthology submissions of stories about animals used in testing. Any genre, but they prefer it ends with a rescue. 5000-20,000 words. Pays $25. Deadline December 20.
DarkFuse is open for short fiction and novellas. They pay $.05/word up to 2k. Anything over 2k is not paid, but still accepted. Dark fiction in various genres.
Have you had issues with editors being wary of something you were writing? Any issues in writing race? Any of these links of interest? How is NaNo going? Anything to share?
May you find your Muse.
